{"id":9636,"date":"2026-02-27T13:03:24","date_gmt":"2026-02-27T12:03:24","guid":{"rendered":"https:\/\/editionsjou.net\/?p=9636"},"modified":"2026-02-27T13:03:24","modified_gmt":"2026-02-27T12:03:24","slug":"239-le-credo-mediatique-fin-de-siecle-hakim-bey","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=9636","title":{"rendered":"#239\/ Le Credo M\u00e9diatique\u00a0: Fin de Si\u00e8cle, Hakim Bey"},"content":{"rendered":"\n

\u00ab\u00a0Retour vers le futur\u00a0\u00bb TINA vous propose de red\u00e9couvrir des textes \/\/\/<\/strong> 2000<\/p>\n\n\n\n

Nous pouvons d\u00e9finir le \u00ab M\u00e9dia \u00bb selon qu\u2019un m\u00e9dium donn\u00e9 soutient ou non \u00eatre \u00ab objectif \u00bb, dans les trois sens du mot, c\u2019est-\u00e0-dire qu\u2019il \u00ab rend compte objectivement \u00bb de la r\u00e9alit\u00e9\u202f; qu\u2019il se d\u00e9finit comme partie d\u2019une condition objective ou naturelle de la r\u00e9alit\u00e9\u202f; et qu\u2019il pr\u00e9sume que la r\u00e9alit\u00e9 peut \u00eatre refl\u00e9t\u00e9e et repr\u00e9sent\u00e9e comme un objet par un observateur de cette r\u00e9alit\u00e9. \u00ab Le M\u00e9dia \u00bb – utilis\u00e9 ici comme un terme singulier mais collectif – met le subjectif entre parenth\u00e8se et l\u2019isole de la structure basique de m\u00e9diation, qui est pr\u00e9sent\u00e9e comme le regard auto-r\u00e9fl\u00e9chissant du reportage social, \u00ab impartial \u00bb, \u00e9quilibr\u00e9, purement empirique. En brouillant d\u00e9lib\u00e9r\u00e9ment la fronti\u00e8re entre l\u2019objectif et le subjectif – comme dans l\u2019infotainment et dans les feuilletons sentimentaux, que tant de gens croient \u00ab r\u00e9els \u00bb, ou les histoires de flics \u00ab comme dans la vie \u00bb – ou dans les publicit\u00e9s – ou dans les talkshows – le M\u00e9dia construit l\u2019image d\u2019une fausse subjectivit\u00e9, emball\u00e9e et vendue au consommateur comme un simulacre de ses propres \u00ab sensations \u00bb et \u00ab opinions personnelles \u00bb ou de sa subjectivit\u00e9. Et en m\u00eame temps, le M\u00e9dia construit (ou est construit par) une fausse objectivit\u00e9, une fausse totalit\u00e9, qui s\u2019impose comme la vue-du-monde qui fait autorit\u00e9, bien plus que n\u2019importe quel simple sujet – in\u00e9vitable, incontournable, une v\u00e9ritable force de la Nature. Ainsi chaque \u00ab sensation \u00bb ou \u00ab opinion personnelle \u00bb, quand elle na\u00eet, est ressentie comme \u00e0 la fois profond\u00e9ment personnelle et objectivement vraie. J\u2019ach\u00e8te ceci parce j\u2019aime \u00e7a et parce que c\u2019est ce qu\u2019il y a de mieux\u202f; je soutiens la guerre parce qu\u2019elle est juste et honorable et parce qu\u2019elle produit beaucoup de divertissements excitants (\u00ab Temp\u00eate du D\u00e9sert \u00bb, mini-s\u00e9rie fabriqu\u00e9e pour le prime-time t\u00e9l\u00e9). Ainsi, en paraissant refuser le simplement subjectif (ou en le mettant entre les parenth\u00e8ses de l\u2019 \u00ab art \u00bb), le M\u00e9dia r\u00e9cup\u00e8re activement le sujet et le reproduit comme \u00e9l\u00e9ment \u00e0 l\u2019int\u00e9rieur du grand objet, le reflet total du regard total : la marchandise parfaite – soi-m\u00eame.<\/p>\n\n\n\n


La suite ici :<\/strong>
https:\/\/fr.anarchistlibraries.net\/library\/hakim-bey-recueil-de-textes-d-hakim-bey-aka-peter-lamborn-wilson<\/a><\/p>\n\n\n\n


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Sans pub et en acc\u00e8s libre, TINA online est principalement financ\u00e9 par les dons, \u00e0 vous sur cette page >>>>><\/a> merci<\/p>\n","protected":false},"excerpt":{"rendered":"

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