{"id":9458,"date":"2026-02-23T03:16:30","date_gmt":"2026-02-23T02:16:30","guid":{"rendered":"https:\/\/editionsjou.net\/?p=9458"},"modified":"2026-02-23T03:16:30","modified_gmt":"2026-02-23T02:16:30","slug":"238-certains-de-joris-karl-huysmans","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=9458","title":{"rendered":"#238\/ Certains, Joris Karl Huysmans"},"content":{"rendered":"\n

\u00ab\u00a0Retour vers le futur\u00a0\u00bb TINA vous propose de red\u00e9couvrir des textes \/\/\/<\/strong> 1889<\/p>\n\n\n\n

Joris Karl Huysmans<\/strong>, Certains<\/em>, (1889)

L\u2019UN des sympt\u00f4mes les plus d\u00e9concertants de cette \u00e9poque, c\u2019est la promiscuit\u00e9 dans l\u2019admiration. L\u2019art \u00e9tant devenu, comme le sport, une des occupations recherch\u00e9es des gens riches, les expositions se suivent avec un \u00e9gal succ\u00e8s, quelles que soient les \u0153uvres qu\u2019on exhibe, pourvu toutefois que les n\u00e9gociants de la presse s\u2019en m\u00ealent et que les \u00e9talages aient lieu dans une galerie connue, dans une salle r\u00e9put\u00e9e de bon ton par tous.

La vogue de ces amusettes s\u2019explique.

D\u2019abord, l\u2019aridit\u00e9 des cerveaux d\u00e9volus aux gens du monde d\u00e9couvre dans la r\u00e9guli\u00e8re parade des dessins et des toiles de frivoles ressources pr\u00eates \u00e0 alterner avec les discussions frip\u00e9es de la politique et les tarissables potins sur le th\u00e9\u00e2tre ; puis les lieux communs sur la peinture suppl\u00e9ent parfois aussi, le soir, aux cancans mondains et conjurent les somnolentes r\u00e9flexions des parties de bouillotte ou les diplomatiques silences des joueurs de whist.

Enfin, \u2014 et cette raison suffirait \u00e0 elle seule \u2014 visiter et soi-disant admirer les \u0153uvres les plus diff\u00e9rentes et les plus hostiles, implique une largeur d\u2019esprit, une \u00e9lasticit\u00e9 d\u2019aise artistique, vraiment flatteuses.

(…)

Eh bien ! ces individus sont des gens \u00e0 esprit ouvert, des fouille-au-pot d\u00e9licats, des dilettanti !

Ah ! l\u2019on a peut-\u00eatre tout de m\u00eame abus\u00e9 de ce mot de dilettante, dans ces derniers temps ! Au fond, en laissant de c\u00f4t\u00e9 le sens si vaniteusement faux qu\u2019on lui pr\u00eate, l\u2019on arrive, en le serrant de pr\u00e8s, \u00e0 le d\u00e9composer, \u00e0 le d\u00e9doubler en les deux r\u00e9elles parties qui le composent :

\u2014 Imb\u00e9cillit\u00e9 d\u2019une part \u2014 l\u00e2chet\u00e9 de l\u2019autre.

Imb\u00e9cillit\u00e9 pour les gens du monde ; l\u00e2chet\u00e9 pour la presse qui les dirige

(…)

Heureusement que ce profitable \u00e9tat de dilettante a un revers ; fatalement, dans ces exc\u00e8s de pusillanimit\u00e9, dans ces d\u00e9bauches de prudence, la langue se d\u00e9bilite, coule, revient au style morne et plomb\u00e9 des Instituts, se liqu\u00e9fie dans le verbe humide de M. Renan ; car l\u2019on n\u2019a pas de talent si l\u2019on n\u2019aime avec passion ou si l\u2019on ne hait de m\u00eame ; l\u2019enthousiasme et le m\u00e9pris sont indispensables pour cr\u00e9er une \u0153uvre ; le talent est aux sinc\u00e8res et aux rageurs, non aux indiff\u00e9rents et aux l\u00e2ches.


https:\/\/www.huysmans.org\/certains\/certains1.htm<\/a><\/p>\n\n\n\n


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