{"id":8587,"date":"2026-01-14T02:45:52","date_gmt":"2026-01-14T01:45:52","guid":{"rendered":"https:\/\/editionsjou.net\/?p=8587"},"modified":"2026-01-14T02:45:52","modified_gmt":"2026-01-14T01:45:52","slug":"212-bruit-gris-de-gilles-amalvi-1-2-par-marius-guerin","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=8587","title":{"rendered":"#212\/ Bruit gris de Gilles Amalvi (1\/2), par Marius Gu\u00e9rin"},"content":{"rendered":"\n


On a entendu et \u00e9cout\u00e9 des extraits lus par l\u2019auteur, on a entendu et \u00e9cout\u00e9 la musique appareill\u00e9e compos\u00e9e par l\u2019auteur le 18 d\u00e9cembre dernier, \u00e0 la librairie Centrale (Paris, 3e<\/sup>) lors de la pr\u00e9sentation anim\u00e9e par Rodolphe Perez de Bruit gris<\/em> paru aux \u00c9ditions du Bunker.

On proc\u00e8de en deux temps deux articles. On s\u2019int\u00e9resse d\u2019abord \u00e0 une question de structure et de forme.

Bruit gris<\/em> s\u2019ouvre sur une d\u00e9dicace puis sur une citation mais aussi quelques \u00ab\u00a0pr\u00e9paratifs\u00a0\u00bb (num\u00e9rot\u00e9s \u00ab\u00a00\u00a0\u00bb) \u00e0 la forme d\u00e9j\u00e0 singuli\u00e8re. Succession de six paragraphes sur une seule page, chacun \u00e9tant constitu\u00e9 de mono-ou-quelques mots s\u00e9par\u00e9s par des points, aucun paragraphe ne s\u2019achevant par un point\u2026 final. Suit une double page, hommage \u00e0 la page mallarm\u00e9enne, motif r\u00e9current du livre qui est autant litt\u00e9rature que po\u00e8me, po\u00e8me donc.

Viennent ensuite des parties. Une premi\u00e8re, \u00ab\u00a0Limite centrale\u00a0\u00bb (page 13) , compos\u00e9e de douze sous-parties. Une deuxi\u00e8me, \u00ab\u00a0Sc\u00e9nario g\u00e9n\u00e9ral\u00a0\u00bb (page 94), une troisi\u00e8me et derni\u00e8re, \u00ab\u00a0M\u00e9lancolie secondaire\u00a0\u00bb (page 144).

Rapidement, du moins \u00e0 la mani\u00e8re dont on passe parfois d\u2019une page \u00e0 l\u2019autre, d\u2019un texte \u00e0 l\u2019autre, d\u2019un po\u00e8me \u00e0 l\u2019autre tant chaque texte de chaque partie est po\u00e8me-en-soi, on est retenu par la diversit\u00e9 des formes que propose le livre. Un interm\u00e8de \u00ab\u00a0lucratif \u00e0 but non lucratif\u00a0\u00bb nous attend en page 40 qui n\u2019est peut-\u00eatre pas sans autoriser quelque croisement avec \u00c7a joue <\/em>d\u2019Antoine Hummel paru aux \u00e9ditions La Temp\u00eate en 2024. \u00c0 tel point que l\u2019on peut se demander ce qu\u2019est et ce que n\u2019est pas Bruit gris<\/em>.
\u00ab\u00a0c\u2019est une texte (une aubade) une rumeur d\u2019intensit\u00e9 constante
une bouillie de voix (c\u2019est) un refrain qui tourne
\u00e0 vide un film amateur clout\u00e9 mis en boucle
dans ton cerveau enc\u00e9phalogramme plat bruit gris
[\u2026]
de gouvernement c\u2019est juste une fa\u00e7on de changer
de voix de sujet de visage de juridiction
d\u2019\u00e9tat\u00a0\u00bb

Puis la forme saisit de nouveau, le corps de police se fait plus petit, le ciblage est aussi d\u00e9limitation (page 58). Et saisit encore tout autour des pages 90, le po\u00e8me devient liste de quasi mot-\u00e0-mot, \u00ab\u00a0Real Time \u00a9\u00a0\u00bb (page 93).

Quelque chose devient filmique \u00e0 l\u2019int\u00e9rieur du \u00ab\u00a0sc\u00e9nario g\u00e9n\u00e9ral\u00a0\u00bb sans que cela soit cach\u00e9, \u00ab\u00a0Ici, repenser \u00e0 un film sans dire son nom\u00a0\u00bb (page 95). Une forme nouvelle appara\u00eet d\u00e8s lors, suite deux-\u00e0-deux de vers d\u2019un mot et de quelques autres. Chaque po\u00e8me compte pour un et pour tout un po\u00e8me. La question du montage survient, \u00ab\u00a0mati\u00e8re noire du po\u00e8me rescap\u00e9 [\u2026] montagne parall\u00e8le plein de bruit\u00a0\u00bb (page 120). Et l\u2019on rit, par la forme et par la fond, \u00ab\u00a0[\u2026] se chante rien n\u2019aura eu lieu queue\u00a0\u00bb (page 130) alors que les vers sur la page commencent \u00e0 se rar\u00e9fier, \u00e0 diminuer de nombre, tendance \u00e0 la d\u00e9croissance, r\u00e9flexion sur l\u2019\u00e9conomie du po\u00e8me, juste au moment de conclure la deuxi\u00e8me partie.

En derni\u00e8re partie, toute chose \u00e9gale par ailleurs ou toute proportion gard\u00e9e, on revient \u00e0 la forme initiale, celle des d\u00e9buts de la premi\u00e8re partie. On se souvient aussi que Gilles Amalvi a expliqu\u00e9 quelque chose du genre: le texte originellement aurait pu \u00eatre celui d\u2019un roman. Il en est un, \u00e0 sa mani\u00e8re. Les r\u00e9f\u00e9rences, \u00e0 Bataille, \u00e0 Vian, affleurent parfois. La musique reprend ses droits sur le cin\u00e9ma. Mais la vari\u00e9t\u00e9 de forme continue \u00e0 \u00ab\u00a0pas feutr\u00e9\u00a0\u00bb (page 158) par tel ou tel \u00ab\u00a0po\u00e8me cognitiviste\u00a0\u00bb, on pourrait m\u00eame y voir des ensembles plus ou moins bijectifs. Les titres d\u00e9fient tout horaire, \u00ab\u00a023H10 #1\u00a0\u00bb (page 164) jusqu\u2019\u00e0 ce que:
\u00ab\u00a0on laisse la radio en marche
on laisse la cassette
tourner\u00a0\u00bb

On pressent une urgence. En \u00e9tant incertain qu\u2019elle soit effective.
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bruit Gris<\/strong><\/em>, Gille Amalvi
d\u00e9cembre 2025, 180 pages, 18 \u20ac
\u00e9ditions du Bunker
https:\/\/www.editionsdubunker.com\/bruit-gris<\/a><\/p>\n\n\n\n


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Une lecture en 2 \u00e9tapes du livre Bruit Gris de Gilles Amalvi paru aux \u00e9ditions du Bunker en d\u00e9cembre 2025<\/p>\n","protected":false},"author":2,"featured_media":8589,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,4],"tags":[],"class_list":["post-8587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lectures","category-revue-tina"],"yoast_head":"\n#212\/ Bruit gris de Gilles Amalvi (1\/2), par Marius Gu\u00e9rin - revue TINA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=8587\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#212\/ Bruit gris de Gilles Amalvi (1\/2), par Marius Gu\u00e9rin - revue TINA\" \/>\n<meta property=\"og:description\" content=\"Une lecture en 2 \u00e9tapes du livre Bruit Gris de Gilles Amalvi paru aux \u00e9ditions du Bunker en d\u00e9cembre 2025\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=8587\" \/>\n<meta property=\"og:site_name\" content=\"revue TINA\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-14T01:45:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2026\/01\/Bruit-gris_Article-1.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"481\" \/>\n\t<meta property=\"og:image:height\" content=\"515\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8587#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8587\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#212\\\/ Bruit gris de Gilles Amalvi (1\\\/2), par Marius Gu\u00e9rin\",\"datePublished\":\"2026-01-14T01:45:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8587\"},\"wordCount\":706,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8587#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2026\\\/01\\\/Bruit-gris_Article-1.jpeg\",\"articleSection\":[\"Lectures\",\"revue TINA\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8587\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8587\",\"name\":\"#212\\\/ Bruit gris de Gilles Amalvi (1\\\/2), par Marius Gu\u00e9rin - 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