{"id":8447,"date":"2026-01-09T03:19:35","date_gmt":"2026-01-09T02:19:35","guid":{"rendered":"https:\/\/editionsjou.net\/?p=8447"},"modified":"2026-01-09T03:19:35","modified_gmt":"2026-01-09T02:19:35","slug":"209-tout-autour-de-vermeer-23-par-christine-lapostolle","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=8447","title":{"rendered":"#209\/ Tout autour de Vermeer (23), par Christine Lapostolle"},"content":{"rendered":"\n

Les traces d’un voyage effectu\u00e9 il y a des ann\u00e9es pour voir toutes les peintures de Vermeer se r\u00e9v\u00e8lent au contact d’une situation, d’une parole, d’une sensation. Il en d\u00e9coule parfois de courts textes dont certains para\u00eetront ici.<\/p>\n\n\n\n

La Dentelli\u00e8re <\/em>de Vermeer sur le papier fatigu\u00e9 d\u2019un sucre retrouv\u00e9 au fond d\u2019un sac o\u00f9 aucune main n\u2019avait plong\u00e9 depuis longtemps. Datant de l\u2019\u00e9poque o\u00f9 les bars des TGV proposaient des pierres de sucre envelopp\u00e9es de minuscules reproductions de tableaux c\u00e9l\u00e8bres, monuments pr\u00eats \u00e0 fondre dont les emballages, collectionn\u00e9s par un maniaque, auraient pu devenir la base d\u2019une reconstitution des chefs d’\u0153uvre de l’art apr\u00e8s que toutes les \u0153uvres et leurs reproductions sur d’autres supports auraient p\u00e9ri.
Au fond d’une de ses bo\u00eetes intitul\u00e9es H\u00f4tel de la mer,<\/em> l\u2019artiste Joseph Cornell a coll\u00e9 sur un pl\u00e2tre bleu clair craquel\u00e9, l\u2019image d\u00e9tour\u00e9e de la Jeune fille \u00e0 la perle <\/em>qui s’appelait encore \u00e0 la fin des ann\u00e9es cinquante, quand l’\u0153uvre a \u00e9t\u00e9 r\u00e9alis\u00e9e, La Jeune fille au turban <\/em>et n’avait pas atteint les sommets de notori\u00e9t\u00e9 qu’elle conna\u00eet aujourd’hui. L\u2019image est repouss\u00e9e en arri\u00e8re par deux tubes en carton blanc qui font comme des colonnes disparaissant dans un faux plafond. Sous le buste de la Jeune fille, <\/em>le rectangle–<\/em>socle de la carte d\u2019un \u00abH\u00f4tel de la mer\u00bb, situ\u00e9 \u00abQuai Vall\u00e9e 12 et 14. – En face des Bateaux \u00e0 vapeur \u00e9tablissement de premier ordre, vue magnifique…jardin ombrag\u00e9..\u00bb Dans quel monde cela pouvait-il bien \u00eatre ? La carte se superpose \u00e0 une autre adresse, tir\u00e9e d\u2019un journal, celle de l\u2019Hotel Goldene Son(ne)<\/em> sous-titr\u00e9 Golden Sun. <\/em>Je trouve aujourd’hui sur internet deux h\u00f4tels Soleil d’or<\/em> dans deux villes allemandes : l’un \u00e0 Arnstadt, en bordure de la for\u00eat de Thuringe, l’autre \u00e0 Landshut, au sud de la Bavi\u00e8re. Aucune de ces destinations ne me dit rien, c’est le cas de beaucoup de gens, je pense. La suite du message se perd dans l\u2019usure du papier comme rong\u00e9e par le support pl\u00e2treux. Ainsi s\u2019entrem\u00ealent souvenirs et r\u00eaveries, le vrai, le faux, mots recouverts par d\u2019autres, fragments, impression spongieuses qui n\u2019atteignent pas toutes le seuil de la rem\u00e9moration. La jeune fille de Vermeer rest\u00e9e en bon \u00e9tat, lance comme il se doit hors de la bo\u00eete, son regard liquide en direction du spectateur. Sur son v\u00eatement mordor\u00e9 un l\u00e9ger \u00e9clat du papier fait comme une petite mouette. Rien n’annonce dans ce signe que, rivalisant en r\u00e9putation avec la Joconde<\/em>, le tableau fera au XXIe<\/sup> si\u00e8cle l’objet de la premi\u00e8re \u00e9tude neurologique appliqu\u00e9e \u00e0 une \u0153uvre d’art. Les spectateurs accepteront qu’on leur attache un capteur oculaire et des \u00e9lectrodes autour de la t\u00eate afin que leur activit\u00e9 c\u00e9r\u00e9brale soit enregistr\u00e9e. L’analyse r\u00e9v\u00e8lera que face au tableau le spectateur est pris dans une \u00abboucle d\u2019attention soutenue\u00bb (Sustained Attentional Loop<\/em>) : son regard est attir\u00e9 par l\u2019\u0153il de la jeune fille, puis par sa bouche, ensuite par la perle, de nouveau vers l\u2019\u0153il, et ainsi de suite. Les auteurs de cette int\u00e9ressante \u00e9tude constateront \u00e9galement que l’\u00e9motion du spectateur est dix fois plus forte devant l’\u0153uvre que quand on lui pr\u00e9sente une reproduction.<\/p>\n\n\n\n

<\/p>\n\n\n\n

#96\/ Tout autour de Vermeer (1)<\/a>
#98\/ Tout autour de Vermeer (2)<\/a>
#103 \/ Tout autour de Vermeer (3)<\/a>
#108\/ Tout autour de Vermeer (4)<\/a>
#112\/ Tout autour de Vermeer (5)<\/a>
#116\/ Tout autour de Vermeer (6)<\/a>
#120\/ Tout autour de Vermeer (7)<\/a>
#127\/ Tout autour de Vermeer (8)<\/a>
#132\/ Tout autour de Vermeer (9)<\/a>
#137\/ Tout autour de Vermeer (10)<\/a>
#143\/ Tout autour de Vermeer (11)<\/a>
#153\/ Tout autour de Vermeer (12)<\/a>
#156\/ Tout autour de Vermeer <\/a>(13)
#161\/ Tout autour de Vermeer<\/a> (14)
#165\/ Tout autour de Vermeer <\/a>(15)
#170\/ Tout autour de Vermeer<\/a> (16)
#179\/ Tout autour de Vermeer (17)<\/a>
#186\/ Tout autour de Vermeer<\/a> (18)
#205\/ Tout autour de Vermeer<\/a> (19)
#206\/ Tout autour de Vermeer <\/a>(20)
#207\/ Tout autour de Vermeer<\/a> (21)
#208\/ Tout autour de Vermeer <\/a>(22)<\/p>\n\n\n\n


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Ainsi s\u2019entrem\u00ealent souvenirs et r\u00eaveries, le vrai, le faux, mots recouverts par d\u2019autres, fragments, …<\/p>\n","protected":false},"author":2,"featured_media":8538,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,15,4],"tags":[],"class_list":["post-8447","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictions","category-observations","category-revue-tina"],"yoast_head":"\n#209\/ Tout autour de Vermeer (23), par Christine Lapostolle - <<< \u00e9ditions JOU<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=8447\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#209\/ Tout autour de Vermeer (23), par Christine Lapostolle - 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