{"id":8047,"date":"2025-12-07T05:30:55","date_gmt":"2025-12-07T04:30:55","guid":{"rendered":"https:\/\/editionsjou.net\/?p=8047"},"modified":"2025-12-07T05:30:55","modified_gmt":"2025-12-07T04:30:55","slug":"200-seize-mois-daffinage-par-tina","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=8047","title":{"rendered":"#200\/ Seize mois d’affinage, par TINA"},"content":{"rendered":"\n


Apr\u00e8s 16 mois d’existence, 199 articles, 1 num\u00e9ro papier diffus\u00e9 et 2 num\u00e9ros en pr\u00e9paration, 6 \u00e9v\u00e9nements, <\/em>
TINA fait un petit point, en treize d\u00e9finitions et quelques notes.<\/em>

Art<\/strong>
Une fonction adaptative de l’esp\u00e8ce humaine. Inventer des univers parall\u00e8les pour supporter la vraie vie et \u00e0 terme la rendre obsol\u00e8te.

Collectif<\/strong>
Agr\u00e9gat mouvant d\u2019individus qui acceptent de mettre de c\u00f4t\u00e9 un peu d\u2019eux-m\u00eames pour gagner un horizon commun. Une redistribution des forces, des \u00e9lans, ce qu\u2019on ne pourrait pas porter seul.

Composite<\/strong>
Loin du mythe de la cr\u00e9ation collective et consensuelle, une dynamique d’agr\u00e9gation h\u00e9t\u00e9rog\u00e8ne et transitoire pour bousculer les routines individuelles sans brider les intuitions personnelles fragiles et indiscutables.

Contrebande<\/strong>
Les espaces prot\u00e9g\u00e9s, autrefois d\u00e9di\u00e9s \u00e0 l’art et aujourd’hui colonis\u00e9s par le luxe, doivent \u00eatre abandonn\u00e9s \u00e0 l’ennemi. L’art sera d\u00e9sormais expos\u00e9 \u00e0 l’\u00e9preuve du quotidien sans \u00eatre d\u00e9clar\u00e9.

Fediverse<\/strong>
Toujours pr\u00e9f\u00e9rer les protocoles d’\u00e9changes communs, interop\u00e9rables et peer to peer<\/em>, aux plateformes et \u00e0 leurs nouvelles enclosures<\/em>. Echapper \u00e0 la captation de nos donn\u00e9es (entra\u00eenement des IA, profilage commercial et policier). Tenter de renoncer aux services gratuits des GAFAM (gmail, youtube, instagram, etc.) et se tourner vers les \u00e9quivalents du libre.

Fiction<\/strong>
Effraction du r\u00e9el permettant de r\u00e9v\u00e9ler ce qu\u2019il contient de plus vrai. Des images, des voix, des points de vue pour cr\u00e9er des mondes, nos possibles, nos impasses, nos contradictions.

Ligne<\/strong>
Tina<\/em> comporte une revue en ligne qui refl\u00e8te sa ligne faite de l’entrecroisement des lignes de conduite et des lignes \u00e9crites de celles et ceux qui y participent. \u00abLa ligne est un mouvement, un d\u00e9veloppement. Comment se fait-il que tant de lignes auxquelles nous sommes confront\u00e9es aujourd’hui nous semblent si statiques ? \u00bb, \u00e9crit Tim Ingold dans son introduction \u00e0 Une br\u00e8ve histoire des lignes.<\/em>

Marche<\/strong>
Nouveau r\u00e9seau social non-num\u00e9rique cr\u00e9\u00e9 par la revue TINA mis en connexion une fois par mois pour un nombre d’individus soucieux de r\u00e9investir le r\u00e9el, de se r\u00e9-armer, d’appr\u00e9hender le r\u00e9el par les pieds.<\/em>

Non<\/strong>
Court-circuit volontaire. Refus comme \u00e9nergie positive, pour fissurer l\u2019ordre \u00e9tabli, ouvrir un passage. Interrompre le mouvement g\u00e9n\u00e9ral, en d\u00e9vier le cours, pour inventer d\u2019autres possibles.
Terrible parole que le NON !  Elle n\u2019a ni endroit, ni envers… Rien ne peut la mod\u00e9rer, aucun art ne peut l\u2019adoucir… Enrobez tant que vous voudrez un NON, il sera toujours amer, dorez-le autant que vous voulez, il sera toujours en fer…<\/em>
(Sermon du j\u00e9suite portugais Ant\u00f3nio Vieira cit\u00e9 par Manoel de Oliveria dans son film \u00ab\u00a0NON ou la vaine gloire de commander\u00a0\u00bb)

Pertinence<\/strong>
Crit\u00e8re d’auto-\u00e9valuation. Moins galvaud\u00e9 que \u00ab\u00a0l’impertinence\u00a0\u00bb m\u00e9diatique. Tout de m\u00eame, ne pas dramatiser. Rester libre.

Politique<\/strong>
Tout. Face \u00e0 la d\u00e9ferlante anti-politique garder n\u00e9anmoins son sang froid. Re-politiser sans recours excessif \u00e0 un langage calibr\u00e9 pour cet usage. \u00c9viter la scl\u00e9rose. Inciter \u00e0 la r\u00e9flexion.

Revue<\/strong>
Objet p\u00e9riodique, instable et versatile, o\u00f9 se m\u00ealent images, textes, gestes et prises de position. Un laboratoire d\u2019id\u00e9es, de cr\u00e9ation, un lieu de friction o\u00f9 la pens\u00e9e collective se mat\u00e9rialise.

Veille<\/strong>
Attention quotidienne \u00e0 la langue des winners et des winneuses, aux fanfaronnades des n\u00e9olib\u00e9raux techno, aux petites v\u00e9rit\u00e9s factuelles entre deux discours creux dans les organes de communication dominants, aux petites absurdit\u00e9s qui font la grande catastrophe. S’il faut parler d’ennemi, garder d’abord un \u0153il sur son ennemi int\u00e9rieur.<\/p>\n\n\n\n



Notes :<\/strong>

Un visage pour TINA, non merci, sauve-qui-peut.<\/strong>
Dans un grand moment de d\u00e9tresse de quelques secondes TINA a os\u00e9 interroger Chat GPT.
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Badge<\/strong>
Forme vintage choisie par TINA pour des affichages personnels et nomades de prises de positions politiques ou de slogans \u00e0 triple sens.

Les r\u00e9seaux sociaux et TINA<\/strong>
Comment g\u00e9rer cela ?
Mastodon est g\u00e9nial mais il n’y a pratiquement personne, sur Bluesky TINA est totalement invisible,\u00a0
Instagram (depuis 5 mois) est le canal le plus efficace mais \u00e9thiquement ce n’est pas tenable,
TINA cherche une alternative.

79 auteur.e.s<\/strong>
ont particip\u00e9 \u00e0 TINA online et TINA papier\u00a0
avec des contributions in\u00e9dites et non-r\u00e9mun\u00e9r\u00e9es, un grand grand merci.

R\u00e9armez-vous.<\/strong>
2 500 visiteurs uniques sont pass\u00e9s sur TINA online le mois dernier.\u00a0
Pensez \u00e0 soutenir TINA online avec un don.
https:\/\/www.helloasso.com\/associations\/association-jou\/formulaires\/2<\/a>
\ud83d\ude42

TINA remercie\u00a0<\/strong>
Johan Faerber pour son ITW de TINA dans Collateral et le d\u00e9bat au salon de la revue.
C\u00e9cile Paris du PAN caf\u00e9 qui avait accueilli le premier \u00e9v\u00e8nement TINA (#01).
Jean Delaroche le debugger wordpress de TINA.
Toutes les personnes qui sont venues aux \u00e9v\u00e8nements TINA.
Les lecteurs et lectrices de la revue online et papier.
<\/p>\n\n\n\n


<\/p>\n\n\n\n

\n
sommaire<\/a><\/div>\n\n\n\n
par cat\u00e9gories<\/a><\/div>\n\n\n\n
par noms<\/a><\/div>\n\n\n\n
newsletter<\/a><\/div>\n\n\n\n
dons<\/a><\/div>\n\n\n\n
infos<\/a><\/div>\n<\/div>\n\n\n\n

Sans pub, sans subvention, en acc\u00e8s libre, TINA online est financ\u00e9 par les dons \u00e0 partir de 1\u20ac sur cette page >>>>><\/a> merci<\/p>\n","protected":false},"excerpt":{"rendered":"

wahou !<\/p>\n","protected":false},"author":2,"featured_media":8230,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-8047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edito","category-revue-tina"],"yoast_head":"\n#200\/ Seize mois d'affinage, par TINA - revue TINA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=8047\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#200\/ Seize mois d'affinage, par TINA - revue TINA\" \/>\n<meta property=\"og:description\" content=\"wahou !\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=8047\" \/>\n<meta property=\"og:site_name\" content=\"revue TINA\" \/>\n<meta property=\"article:published_time\" content=\"2025-12-07T04:30:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/12\/ballons.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"850\" \/>\n\t<meta property=\"og:image:height\" content=\"614\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#200\\\/ Seize mois d’affinage, par TINA\",\"datePublished\":\"2025-12-07T04:30:55+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047\"},\"wordCount\":849,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2025\\\/12\\\/ballons.jpg\",\"articleSection\":[\"\u00c9dito\",\"revue TINA\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047\",\"name\":\"#200\\\/ Seize mois d'affinage, par TINA - revue TINA\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2025\\\/12\\\/ballons.jpg\",\"datePublished\":\"2025-12-07T04:30:55+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#primaryimage\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2025\\\/12\\\/ballons.jpg\",\"contentUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2025\\\/12\\\/ballons.jpg\",\"width\":850,\"height\":614},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=8047#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"#200\\\/ Seize mois d’affinage, par TINA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#website\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/\",\"name\":\"revue TINA\",\"description\":\"informations TINA\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\",\"name\":\"Eric Arlix\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/894656abbedb0279a5187510d5dcc5c4a00eb5b757d2c71ac7a2e2f84364f725?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/894656abbedb0279a5187510d5dcc5c4a00eb5b757d2c71ac7a2e2f84364f725?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/894656abbedb0279a5187510d5dcc5c4a00eb5b757d2c71ac7a2e2f84364f725?s=96&d=mm&r=g\",\"caption\":\"Eric Arlix\"},\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"#200\/ Seize mois d'affinage, par TINA - revue TINA","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revuetina.editionsjou.net\/?p=8047","og_locale":"fr_FR","og_type":"article","og_title":"#200\/ Seize mois d'affinage, par TINA - revue TINA","og_description":"wahou !","og_url":"https:\/\/revuetina.editionsjou.net\/?p=8047","og_site_name":"revue TINA","article_published_time":"2025-12-07T04:30:55+00:00","og_image":[{"width":850,"height":614,"url":"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/12\/ballons.jpg","type":"image\/jpeg"}],"author":"Eric Arlix","twitter_card":"summary_large_image","twitter_misc":{"\u00c9crit par":"Eric Arlix","Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#article","isPartOf":{"@id":"https:\/\/revuetina.editionsjou.net\/?p=8047"},"author":{"name":"Eric Arlix","@id":"https:\/\/revuetina.editionsjou.net\/#\/schema\/person\/c28daead05fe49e106d2655b42e8f9bd"},"headline":"#200\/ Seize mois d’affinage, par TINA","datePublished":"2025-12-07T04:30:55+00:00","mainEntityOfPage":{"@id":"https:\/\/revuetina.editionsjou.net\/?p=8047"},"wordCount":849,"image":{"@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#primaryimage"},"thumbnailUrl":"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/12\/ballons.jpg","articleSection":["\u00c9dito","revue TINA"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/revuetina.editionsjou.net\/?p=8047","url":"https:\/\/revuetina.editionsjou.net\/?p=8047","name":"#200\/ Seize mois d'affinage, par TINA - revue TINA","isPartOf":{"@id":"https:\/\/revuetina.editionsjou.net\/#website"},"primaryImageOfPage":{"@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#primaryimage"},"image":{"@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#primaryimage"},"thumbnailUrl":"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/12\/ballons.jpg","datePublished":"2025-12-07T04:30:55+00:00","author":{"@id":"https:\/\/revuetina.editionsjou.net\/#\/schema\/person\/c28daead05fe49e106d2655b42e8f9bd"},"breadcrumb":{"@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/revuetina.editionsjou.net\/?p=8047"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#primaryimage","url":"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/12\/ballons.jpg","contentUrl":"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/12\/ballons.jpg","width":850,"height":614},{"@type":"BreadcrumbList","@id":"https:\/\/revuetina.editionsjou.net\/?p=8047#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/revuetina.editionsjou.net\/"},{"@type":"ListItem","position":2,"name":"#200\/ Seize mois d’affinage, par TINA"}]},{"@type":"WebSite","@id":"https:\/\/revuetina.editionsjou.net\/#website","url":"https:\/\/revuetina.editionsjou.net\/","name":"revue TINA","description":"informations TINA","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/revuetina.editionsjou.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/revuetina.editionsjou.net\/#\/schema\/person\/c28daead05fe49e106d2655b42e8f9bd","name":"Eric Arlix","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/894656abbedb0279a5187510d5dcc5c4a00eb5b757d2c71ac7a2e2f84364f725?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/894656abbedb0279a5187510d5dcc5c4a00eb5b757d2c71ac7a2e2f84364f725?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/894656abbedb0279a5187510d5dcc5c4a00eb5b757d2c71ac7a2e2f84364f725?s=96&d=mm&r=g","caption":"Eric Arlix"},"url":"https:\/\/revuetina.editionsjou.net\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=\/wp\/v2\/posts\/8047","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8047"}],"version-history":[{"count":0,"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=\/wp\/v2\/posts\/8047\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=\/wp\/v2\/media\/8230"}],"wp:attachment":[{"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8047"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8047"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revuetina.editionsjou.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8047"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}