{"id":663,"date":"2024-07-02T06:38:00","date_gmt":"2024-07-02T04:38:00","guid":{"rendered":"https:\/\/editionsjou.net\/?p=663"},"modified":"2024-07-02T06:38:00","modified_gmt":"2024-07-02T04:38:00","slug":"5","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=663","title":{"rendered":"#1\/ \u00e9dito"},"content":{"rendered":"\n

Revue TINA, juillet 2024<\/strong>
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TINA<\/strong> est une revue d’id\u00e9es, d’imaginaires et de critiques consacr\u00e9e aux auteur.e.s et artistes qui prospectent, explorent, s’aventurent loin de la facilit\u00e9 commerciale et des r\u00e9p\u00e9titions. TINA<\/strong> prend acte de la scl\u00e9rose et de la d\u00e9sagr\u00e9gation du tissu institutionnel h\u00e9rit\u00e9 de l’\u00e2ge pr\u00e9-r\u00e9seau, ne cherche pas \u00e0 le sauver ou \u00e0 l’am\u00e9nager, et n’applaudit pas non plus \u00e0 sa colonisation par les industries du luxe et des m\u00e9dias. TINA<\/strong> voudrait accompagner et stimuler l’invention d’autres modes d’impl\u00e9mentations de l’art et de la litt\u00e9rature, en p\u00e9riph\u00e9rie d\u2019institutions d\u00e9pass\u00e9es, de supports vieillissants, d\u2019une critique convenue et de marques sans audace. TINA<\/strong> aimerait remplacer l\u2019obsession de l\u2019audience par la constitution de communaut\u00e9s d’attention, pas forc\u00e9ment aussi radicales que celles de l\u201dimm\u00e9diatisme\u201d d\u2019Hakim Bey, pas forc\u00e9ment en quittant totalement le(s) march\u00e9s(s) mais en repensant des \u00e9co-syst\u00e8mes, des solidarit\u00e9s, de nouveaux modes de transmission. TINA <\/strong>tente de rester \u00e9veill\u00e9e face \u00e0 la prochaine \u00e9tape de la marchandisation des arts, sa feelgoodisation, son absorption par le divertissement, un tsunami tendance. TINA<\/strong> n\u2019a pas \u00e9t\u00e9 \u00e9lev\u00e9e dans le culte du respect des artistes, tout aussi d\u00e9pass\u00e9.e.s que les autres individus par un monde qu\u2019iels peinent \u00e0 r\u00e9parer. TINA<\/strong> est une revue \u00e9volutive qui propose des aiguillages, des flux singuliers, des focus multidisciplinaires sur celles et ceux qui osent, recherchent, utilisent la litt\u00e9rature et les arts comme des outils de transmission, d’\u00e9mancipation, d’\u00e9vasion et de critique. TINA<\/strong> croit en l\u2019utopie, dans un monde nouveau, des nouveaux combats, des nouveaux langages. TINA<\/strong> pense qu\u2019il n\u2019y a pas d\u2019alternative<\/em> \u00e0 la disparition des Arts, que m\u00eame invisibilis\u00e9s les Arts pourront continuer \u00e0 d\u00e9velopper leurs imaginaires m\u00eame si TINA<\/strong> tremble devant les projections culturelles des uns et des autres, d\u2019un c\u00f4t\u00e9 des comiques et des bons sentiments, de l\u2019autre le culte du patrimoine et ses valeurs rances, au milieu rien ou pas grand chose, une culture non-essentielle nous a-t-on dit r\u00e9cemment. <\/p>\n\n\n\n

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TINA<\/strong> c’est ici : https:\/\/revuetina.editionsjou.net\/wp\/revue_tina\/
<\/a>et une fois par an sous forme de livre.
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TINA est une revue d’id\u00e9es, d’imaginaires et de critiques …<\/p>\n","protected":false},"author":2,"featured_media":1282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,4],"tags":[],"class_list":["post-663","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-edito","category-revue-tina"],"yoast_head":"\n#1\/ \u00e9dito - revue TINA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=663\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#1\/ \u00e9dito - revue TINA\" \/>\n<meta property=\"og:description\" content=\"TINA est une revue d'id\u00e9es, d'imaginaires et de critiques ...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=663\" \/>\n<meta property=\"og:site_name\" content=\"revue TINA\" \/>\n<meta property=\"article:published_time\" content=\"2024-07-02T04:38:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2024\/05\/tina_pub2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"337\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=663#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=663\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#1\\\/ \u00e9dito\",\"datePublished\":\"2024-07-02T04:38:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=663\"},\"wordCount\":395,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=663#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2024\\\/05\\\/tina_pub2.png\",\"articleSection\":[\"\u00c9dito\",\"revue TINA\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=663\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=663\",\"name\":\"#1\\\/ \u00e9dito - 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