{"id":5686,"date":"2025-07-17T04:53:12","date_gmt":"2025-07-17T02:53:12","guid":{"rendered":"https:\/\/editionsjou.net\/?p=5686"},"modified":"2025-07-17T04:53:12","modified_gmt":"2025-07-17T02:53:12","slug":"124-les-palmiers-sauvages-william-faulkner","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=5686","title":{"rendered":"#124\/ Les palmiers sauvages, William Faulkner"},"content":{"rendered":"\n

\u00ab\u00a0Retour vers le futur\u00a0\u00bb TINA vous propose de red\u00e9couvrir des textes \/\/\/<\/strong> 1939<\/p>\n\n\n\n

\u2026 Charlotte travaillait dans un magasin qui avait \u00e9t\u00e9 parmi ses tout premiers clients \u00e0 l’\u00e9poque de ses premi\u00e8res figurines. Elle \u00e9tait charg\u00e9e de l’arrangement des \u00e9talages et des vitrines, si bien qu’il lui arrivait quelquefois de travailler quand le magasin fermait l’apr\u00e8s-midi et que les autres employ\u00e9s partaient. Wilbourne, et parfois McCord, l’attendaient dans un bar, juste au coin de la rue, o\u00f9 ils d\u00eenaient de bonne heure. Puis McCord s’en allait pour commencer au journal sa journ\u00e9e \u00e0 l’envers, et Charlotte et Wilbourne retournaient au magasin qui maintenant se mettait \u00e0 vivre une existence sens dessus dessous, bizarre et infernale. La caverne en b\u00e9ton chrom\u00e9 et en marbre synth\u00e9tique qui, pendant huit heures, avait \u00e9t\u00e9 remplie du bourdonnement vorace, impitoyable des clients emmitoufl\u00e9s dans leurs fourrures, des grimaces enr\u00e9giment\u00e9es, fig\u00e9es, des vendeuses-robots en robe de satin, \u00e9tait vide maintenant. Miroitante et paisible, emplie d’un silence aux \u00e9chos de caverne, elle se rapetissait, pleine d’une fureur sombre, tendue, comme une clinique de nuit vide o\u00f9 une poign\u00e9e de chirurgiens et d’infirmi\u00e8res pygm\u00e9es luttent c\u00e9r\u00e9monieusement \u00e0 voix basse pour quelque vie obscur et anonyme. Et Charlotte s’y \u00e9vanouissait \u00e9galement (elle ne disparaissait pas : il la voyait de temps \u00e0 autre, consultant quelqu’un en pantomime au sujet de quelque objet que l’un d’eux tenait \u00e0 la main, ou entrant ou sortant d’une devanture) d\u00e8s qu’ils entraient. Il avait g\u00e9n\u00e9ralement un journal du soir et, pendant deux ou trois heures, il restait assis sur quelque chaise fragile entour\u00e9 de mannequins d\u00e9sarticul\u00e9s au doux corps sans organes, aux visages d’une s\u00e9r\u00e9nit\u00e9 presque incroyable, de brocards drap\u00e9s, de sequins ou du reflet de pierres du Rhin. Des femmes de m\u00e9nage s’approchaient \u00e0 genoux, poussant leur seau devant elles comme si elles appartenaient \u00e0 une esp\u00e8ce diff\u00e9rente surgie, \u00e0 la mani\u00e8re des taupes, d’un tunnel, d’un orifice conduisant du centre m\u00eame de la terre, et servant quelque obscur principe d’hygi\u00e8ne, non vers le resplendissement muet qu’elles ne voyaient m\u00eame pas, mais vers le royaume souterrain o\u00f9 elles retourneraient avant le jour. \u00bb …<\/p>\n\n\n\n


William Faulkner, Les palmiers sauvages<\/em>, 1939, trad. M.E. Coindreau, 1952, Gallimard pp.125-126.
<\/p>\n\n\n\n


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