{"id":5367,"date":"2025-07-07T17:57:33","date_gmt":"2025-07-07T15:57:33","guid":{"rendered":"https:\/\/editionsjou.net\/?p=5367"},"modified":"2025-07-07T17:57:33","modified_gmt":"2025-07-07T15:57:33","slug":"08","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=5367","title":{"rendered":"#08"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized has-custom-border\"><img loading=\"lazy\" decoding=\"async\" width=\"605\" height=\"451\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/eveneokTINA8.png\" alt=\"\" class=\"wp-image-5447\" style=\"border-radius:22px;width:413px;height:auto\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/eveneokTINA8.png 605w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/eveneokTINA8-300x224.png 300w\" sizes=\"auto, (max-width: 605px) 100vw, 605px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color has-medium-font-size wp-elements-8616d187adddae7c3d50ec7ec26c74af wp-block-paragraph\"><strong>Xinhua Art Service<\/strong>, <strong>Shangha\u00ef<br><\/strong>accueille la revue TINA du 10 janvier au 10 f\u00e9vrier 2026 avec<\/p>\n\n\n\n<p class=\"has-text-align-center has-vivid-purple-color has-text-color has-link-color has-medium-font-size wp-elements-437aa6a2396d7c27eacc25ee749b2bf4 wp-block-paragraph\" style=\"border-width:7px\"><strong>Francine Flandrin  &#8211;  Hortense Gauthier  &#8211;  Elsa Werth<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color has-medium-font-size wp-elements-a0faf27b8a9e5fd5db3a8eefd552dbf8 wp-block-paragraph\">La <strong>revue TINA<\/strong> est fi\u00e8re de proposer aux passants et \u00e0 la sc\u00e8ne artistique shangha\u00efenne les recherches de trois artistes fran\u00e7aises. Francine Flandrin dont les dessins explorent la com\u00e9die humaine et les perturbations du monde. Hortense Gauthier po\u00e8te performeuse dont le travail s&rsquo;articule autour des relations entre corps et espaces. Elsa Werth qui explore les th\u00e8mes de l\u2019information, de la production marchande et de leurs relations avec divers cercles sociaux.<br><br><strong>Xinhua Art Service<\/strong><br><a href=\"https:\/\/xas.immediat3.org\/en\/archives.html#TINA\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/xas.immediat3.org\/en\/archives.html#TINA<\/a><br><br><strong>Vernissage Live vid\u00e9o public<\/strong><br>a eu lieu le 10 janvier 2026 (9h Paris &#8211; 16h Shangha\u00ef)<\/p>\n\n\n\n<p class=\"has-text-align-center has-vivid-purple-color has-text-color has-link-color has-medium-font-size wp-elements-2f51bf09421049a6e3f4fbd7d122a915 wp-block-paragraph\" style=\"border-width:7px\"><strong>Finissage <\/strong><br>Le samedi 7 f\u00e9vrier 2026, trois vid\u00e9os autour des trois panneaux<br><strong><a href=\"https:\/\/revuetina.editionsjou.net\/wp\/2026\/02\/07\/229-finissage-xas-shanghai-par-tina\/\">&gt;&gt;&gt;&gt;&gt;<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"456\" height=\"360\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/XAS-TINA.webp\" alt=\"\" class=\"wp-image-8558\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/XAS-TINA.webp 456w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/XAS-TINA-300x237.webp 300w\" sizes=\"auto, (max-width: 456px) 100vw, 456px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"520\" data-id=\"8613\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/xas1-51a.webp\" alt=\"\" class=\"wp-image-8613\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas1-51a.webp 800w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas1-51a-300x195.webp 300w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas1-51a-768x499.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" data-id=\"8614\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/xas2-53c.webp\" alt=\"\" class=\"wp-image-8614\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas2-53c.webp 800w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas2-53c-300x225.webp 300w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas2-53c-768x576.webp 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"801\" height=\"520\" data-id=\"8615\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/xas3-52a.webp\" alt=\"\" class=\"wp-image-8615\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas3-52a.webp 801w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas3-52a-300x195.webp 300w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/xas3-52a-768x499.webp 768w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center has-black-color has-text-color has-link-color wp-elements-31ef8a46bf82daa30dab4b6adf99fd54 wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/03\/Step-in-my-shoes-Alain-Mimoun-Melbourne-1956-copie-720x1024.jpeg\" alt=\"\" class=\"wp-image-3084\" style=\"width:403px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-967938ae0e1f724525680b39a12dbad2 wp-block-paragraph\"><strong>Francine Flandrin<\/strong><br><em>Step in my shoes<\/em>, Alain Mimoun, Melbourne, 1956.<br><em>Step in my shoes<\/em> est une s\u00e9rie de portraits en pied de personnages inspirants, qui sont l\u2019incarnation d\u2019une passion, d\u2019un esprit libre. Figures d\u2019aventuriers, d\u2019intellectuels, de sportifs, d\u2019immigr\u00e9s, de r\u00e9sistants, d\u2019adolescents, c\u00e9l\u00e8bres ou anonymes, seules leurs chaussures sont repr\u00e9sent\u00e9es tel l\u2019accessoire r\u00e9v\u00e9lateur du statut social, de l\u2019\u00e2ge, de la personnalit\u00e9, du lieu g\u00e9ographique et de la p\u00e9riode historique, tous \u00e9nonc\u00e9s dans leurs titres.<br><strong>Bio<\/strong> : Artiste h\u00e9t\u00e9rodoxe, ses dessins (s\u00e9ries <em>Step in my shoes<\/em>, <em>Just Kids<\/em>, <em>We can be heroes<\/em>) explorent la com\u00e9die humaine et les perturbations du monde, ses recherches plastiques (peintures, c\u00e9ramiques, installations) et performatives proposent une exp\u00e9rience du temps qui passe.<br><strong><a href=\"https:\/\/www.instagram.com\/francineflandrin\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.instagram.com\/francineflandrin\/<\/a><\/strong><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"510\" height=\"383\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/cyborg-H-Gauthier-copie.jpg\" alt=\"\" class=\"wp-image-8220\" style=\"width:558px;height:auto\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/cyborg-H-Gauthier-copie.jpg 510w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/cyborg-H-Gauthier-copie-300x225.jpg 300w\" sizes=\"auto, (max-width: 510px) 100vw, 510px\" \/><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-0c90415bd17ea161bb59b719590aa6de wp-block-paragraph\"><strong>Hortense Gauthier<\/strong><br><em>Performance longue dur\u00e9e<\/em>, Strasbourg, 2022.<br>\u00c9trange et lente d\u00e9ambulation durant plusieurs heures dans l&rsquo;espace urbain d&rsquo;une cr\u00e9ature hybride et cybern\u00e9tique dysfonctionnelle qui d\u00e9construit l\u2019image d\u2019une technologie high-tech et innovante, en interrogeant son obsolescence et sa dimension \u00e0 la fois magn\u00e9tique, monstrueuse, et grotesque. Vestige cyborg de notre civilisation fond\u00e9e sur la puissance de l\u2019\u00e9lectricit\u00e9 et l\u2019accumulation mat\u00e9rielle. Une action pour habiter autrement notre temps incertain, et pour faire du corps un objet connect\u00e9 de fa\u00e7on sensible et dissonante au territoire de la ville.<br><strong>Bio :<\/strong> Artiste, po\u00e8te,&nbsp;performeuse, cr\u00e9atrice sonore, elle d\u00e9veloppe depuis 2006 un travail d\u2019\u00e9criture interm\u00e9dia. Dans une dynamique&nbsp;transtextuelle, elle interroge les mat\u00e9rialit\u00e9s multiples du corps, et les diff\u00e9rentes dimensions du temps et de l\u2019espace, \u00e0 travers des cr\u00e9ations prot\u00e9iformes (performance, installation, photographie, video, musique acousmatique \u2026) et des projets g\u00e9opo\u00e9tiques m\u00ealant art action, marche, et dispositifs num\u00e9riques.<br><strong><a href=\"https:\/\/www.hortensegauthier.org\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.hortensegauthier.org<\/a><\/strong><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"924\" src=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/elsa-1024x924.png\" alt=\"\" class=\"wp-image-8521\" style=\"width:569px;height:auto\" srcset=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/elsa-1024x924.png 1024w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/elsa-300x271.png 300w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/elsa-768x693.png 768w, https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/07\/elsa.png 1456w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-4af927c46ac5cf9800bb725b040dc8b3 wp-block-paragraph\"><strong>Elsa Werth<\/strong><br><em>Giving Weight to Some AI-Generated Objects<\/em>, 2025.<br>Dans ce projet j&rsquo;explore l&rsquo;id\u00e9e re\u00e7ue d&rsquo;une IA d\u00e9mat\u00e9rialis\u00e9e. L&rsquo;association d&rsquo;un objet futuriste g\u00e9n\u00e9r\u00e9 par l&rsquo;IA avec un poids pose la question de la mat\u00e9rialit\u00e9&nbsp;\/&nbsp;immat\u00e9rialit\u00e9 des donn\u00e9es dont le stockage, \u00e9nergivore, repose sur l\u2019exploitation bien quantifiable&nbsp;d\u2019\u00e9nergies et de ressources non renouvelables (eau, terres rares, p\u00e9trole et charbon).<br><strong>Bio<\/strong> : Artiste. Elle utilise des objets du quotidien, des gestes, des syst\u00e8mes, des langages, ainsi que des activit\u00e9s li\u00e9es aux rituels contemporains. Elle explore les th\u00e8mes de l\u2019information, de la production marchande et de leurs relations avec divers cercles sociaux. Elle revendique des productions anti-spectaculaires comme tactiques de r\u00e9sistance.<br><strong><a href=\"https:\/\/www.elsawerth.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.elsawerth.net<\/a><\/strong><br><br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-20959078 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/revuetina.editionsjou.net\/wp\/evenements-tina\/\" style=\"border-radius:23px;background-color:#517ba4\">retour page \u00e9v\u00e8nements<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Xinhua Art Service, Shangha\u00efaccueille la revue TINA du 10 janvier au 10 f\u00e9vrier 2026 avec Francine Flandrin &#8211; Hortense Gauthier &#8211; Elsa Werth La revue TINA est fi\u00e8re de proposer aux passants et \u00e0 la sc\u00e8ne artistique shangha\u00efenne les recherches de trois artistes fran\u00e7aises. Francine Flandrin dont les dessins explorent la com\u00e9die humaine et les [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-5367","post","type-post","status-publish","format-standard","hentry","category-evenement"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>#08 - revue TINA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=5367\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#08 - revue TINA\" \/>\n<meta property=\"og:description\" content=\"Xinhua Art Service, Shangha\u00efaccueille la revue TINA du 10 janvier au 10 f\u00e9vrier 2026 avec Francine Flandrin &#8211; Hortense Gauthier &#8211; Elsa Werth La revue TINA est fi\u00e8re de proposer aux passants et \u00e0 la sc\u00e8ne artistique shangha\u00efenne les recherches de trois artistes fran\u00e7aises. Francine Flandrin dont les dessins explorent la com\u00e9die humaine et les [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=5367\" \/>\n<meta property=\"og:site_name\" content=\"revue TINA\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-07T15:57:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revuetina.editionsjou.net\/wp\/app\/uploads\/2025\/07\/eveneokTINA8.png\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5367#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5367\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#08\",\"datePublished\":\"2025-07-07T15:57:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5367\"},\"wordCount\":593,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5367#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/wp\\\/app\\\/uploads\\\/2025\\\/07\\\/eveneokTINA8.png\",\"articleSection\":[\"\u00e9v\u00e8nement\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5367\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5367\",\"name\":\"#08 - 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