{"id":5185,"date":"2025-06-30T04:41:04","date_gmt":"2025-06-30T02:41:04","guid":{"rendered":"https:\/\/editionsjou.net\/?p=5185"},"modified":"2025-06-30T04:41:04","modified_gmt":"2025-06-30T02:41:04","slug":"116-tout-autour-de-vermeer-6-par-christine-lapostolle","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=5185","title":{"rendered":"#116\/ Tout autour de Vermeer (6), par Christine Lapostolle"},"content":{"rendered":"\n

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Les traces d’un voyage effectu\u00e9 il y a des ann\u00e9es pour voir toutes les peintures de Vermeer se r\u00e9v\u00e8lent au contact d’une situation, d’une parole, d’une sensation. Il en d\u00e9coule parfois de courts textes dont certains para\u00eetront ici.<\/p>\n\n\n\n

Ils font des films. Avec les restes d\u2019autres films. Plus exactement avec la pellicule des bandes annonces de films qui datent d’avant le cin\u00e9ma num\u00e9rique.

Ils travaillaient dans un cin\u00e9ma. Chaque semaine il y avait de nouvelles bandes annonces. Et comme ces bandes annonces une fois qu\u2019elles avaient annonc\u00e9 n\u2019avaient plus de raison d\u2019\u00eatre ils s\u2019en servaient pour faire leurs films a eux.

Ils font subir \u00e0 ces rouleaux de pellicule des traitements sp\u00e9ciaux. Ils les font s\u00e9journer dans des poubelles, ils les enterrent, les mettent a tremper dans des liquides corrosifs, du coca, de la bi\u00e8re, du ketchup. Ils les laissent moisir dans des caves humides, les exposent a la pluie. Ils ont fabriqu\u00e9 toutes sortes de jus bizarres dans lesquels ils les font mac\u00e9rer. Pour voir.

Puis ils retirent les bobines de ces endroits offensifs et les montent. Ils montent des plans d\u00e9vor\u00e9s par une chimie al\u00e9atoire, les couleurs se m\u00e9langent, les images ont a moiti\u00e9 fondu, il y a des d\u00e9chirures, des boursouflures, des brulures.

Un cin\u00e9ma remont\u00e9 des \u00e9gouts. T\u00e9moignant d\u2019une \u00e9poque r\u00e9volue qui n\u2019a jamais exist\u00e9. De temps a autre une image est intacte: un visage, un baiser, un cowboy, une star qu\u2019on reconnait fugacement. Comme un miracle. Il parait que ce n\u2019est pas la pellicule qui s\u2019alt\u00e8re mais la g\u00e9latine qu\u2019on met dessus, qui est faite avec de la poudre d\u2019os.

Nous sommes assis par terre dans une grande salle, un drap tendu au mur sert d’\u00e9cran, il fait trop chaud.

Et eux, les cin\u00e9astes de ce dr\u00f4le de cin\u00e9ma, n\u2019arr\u00eatent pas de gesticuler, recollant tant bien que mal les morceaux de pellicules, r\u00e9amor\u00e7ant la bande sur leur projecteur 16 mm. En m\u00eame temps ils nous parlent. On dirait des bateleurs sur un march\u00e9. Ils portent des bonnets, des \u00e9charpes, des anoraks, des bottes, comme les gens qui vivent tout le temps dehors. Il y a une odeur aussi dans la salle. Une odeur de poubelles, d\u2019\u0153ufs pourris, certains ne supportent pas et s\u2019en vont.

Ils assemblent, par couleurs, par motifs, par th\u00e8mes, cela d\u00e9pend, c\u2019est au feeling, chacun fait ce qui lui vient dans l\u2019instant, de temps en temps ils se concertent. Nous regardons d\u00e9filer au son vibrionnant du projecteur les images cahotantes, les photogrammes rong\u00e9s, translucides, plus ou moins tach\u00e9s, comme une suite de peintures abstraites, avec parfois quelques mots d\u2019un sous-titrage, une couleur vive, qui saute a la figure.

Le film a ralenti, voici une s\u00e9quence longue. C’est une servante dans une rue ancienne portant un panier et achetant du poisson a un \u00e9tal dehors, on dirait la Hollande, puis un peintre dans un int\u00e9rieur, en tenue de peintre, avec sa palette, son chevalet, comme si le film nous arrivait directement de l’\u00e9poque ou il peignait, un masque sur la table. Gros plan sur l\u2019\u0153il du mod\u00e8le qui est aussi la servante, qui est aussi l’actrice Scarlett Johansson.

La Jeune fille \u00e0 la perle<\/em> porte en direction du spectateur son \u00e9ternel regard doux et mouill\u00e9. Et puis \u00e7a l\u00e2che. Et les gars disent : on va s\u2019arr\u00eater l\u00e0.

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\"\"<\/figure>\n\n\n\n


#96\/ Tout autour de Vermeer (1)<\/a>
#98\/ Tout autour de Vermeer (2)<\/a>
#103 \/ Tout autour de Vermeer (3)<\/a>
#108\/ Tout autour de Vermeer (4)<\/a>
#112\/ Tout autour de Vermeer (5)<\/a>
<\/p>\n\n\n\n


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Ils font subir \u00e0 ces rouleaux de pellicule des traitements sp\u00e9ciaux<\/p>\n","protected":false},"author":2,"featured_media":5189,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4],"tags":[],"class_list":["post-5185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictions","category-revue-tina"],"yoast_head":"\n#116\/ Tout autour de Vermeer (6), par Christine Lapostolle - <<< \u00e9ditions JOU<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=5185\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#116\/ Tout autour de Vermeer (6), par Christine Lapostolle - <<< \u00e9ditions JOU\" \/>\n<meta property=\"og:description\" content=\"Ils font subir \u00e0 ces rouleaux de pellicule des traitements sp\u00e9ciaux\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=5185\" \/>\n<meta property=\"og:site_name\" content=\"<<< \u00e9ditions JOU\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-30T02:41:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/06\/baiser-film.png\" \/>\n\t<meta property=\"og:image:width\" content=\"760\" \/>\n\t<meta property=\"og:image:height\" content=\"689\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5185#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5185\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#116\\\/ Tout autour de Vermeer (6), par Christine Lapostolle\",\"datePublished\":\"2025-06-30T02:41:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5185\"},\"wordCount\":664,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5185#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2025\\\/06\\\/baiser-film.png\",\"articleSection\":[\"Fictions\",\"revue TINA\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5185\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=5185\",\"name\":\"#116\\\/ Tout autour de Vermeer (6), par Christine Lapostolle - 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