{"id":4756,"date":"2025-06-15T06:38:15","date_gmt":"2025-06-15T04:38:15","guid":{"rendered":"https:\/\/editionsjou.net\/?p=4756"},"modified":"2025-06-15T06:38:15","modified_gmt":"2025-06-15T04:38:15","slug":"108-tout-autour-de-vermeer-4-par-christine-lapostolle","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=4756","title":{"rendered":"#108\/ Tout autour de Vermeer (4), par Christine Lapostolle"},"content":{"rendered":"\n

Les traces d’un voyage effectu\u00e9 il y a des ann\u00e9es pour voir toutes les peintures de Vermeer se r\u00e9v\u00e8lent au contact d’une situation, d’une parole, d’une sensation. Il en d\u00e9coule parfois de courts textes dont certains para\u00eetront ici.<\/p>\n\n\n\n

Il y avait
hier
dans la fa\u00e7on dont
le disque du soleil couchant s\u2019enfon\u00e7ait dans l\u2019oc\u00e9an
jusqu’\u00e0 devenir
une toute petite lame horizontale et encore un peu brillante
\u2013 nous \u00e9tions au lieu-dit Kerguerriec, <\/em>pr\u00e8s de la r\u00e9serve d\u2019oiseaux \u2013
quelque chose des pi\u00e8ces d\u2019or qui se trouvent
dans le tableau de Vermeer qui s\u2019appelle La Femme \u00e0 la balance, La Peseuse d’or<\/em>
et que nous avons vu l\u2019ann\u00e9e derni\u00e8re en Am\u00e9rique
\u00e0 D\u00e9troit
de l\u2019autre c\u00f4t\u00e9 de l\u2019oc\u00e9an qui est l\u00e0 et dans lequel, chaque soir, ici, le soleil sombre.<\/p>\n\n\n\n

Le disque du soleil lointain, sur la ligne des eaux
perdait de minute en minute son \u00e9clat orang\u00e9.
C\u2019est long, une minute,
et suffisamment court pour qu\u2019on puisse s\u2019absorber dans la seule activit\u00e9
de regarder.
C\u2019est long une minute, quand on ne fait que regarder le soleil,
le d\u00e9clin du jour pr\u00e9sent.
Quelque chose de cet \u00e9clat s\u2019att\u00e9nuait
dans la coloration d\u2019abord de feu d\u2019artifice des bandes de nuages horizontaux
qui se superposaient \u00e0 l\u2019astre,
le soleil descendait tout en gardant sa forme parfaite,
les rubans de nuages horizontaux devant lui se d\u00e9chiraient, se d\u00e9chiquetaient,
p\u00e2lissaient, se laissant colorer encore vivement,
mordor\u00e9s l\u00e0 o\u00f9 ils se faisaient transpercer par le rouge orang\u00e9
d\u00e9clinant de minute en minute
du soleil
comme un tison
comme un tison qui meurt doucement parce qu\u2019on l\u2019a tir\u00e9 du feu.<\/p>\n\n\n\n

Ce disque fin, en partie enfonc\u00e9 dans les nuages horizontaux juste au-dessus de l\u2019oc\u00e9an
o\u00f9 il va glisser comme une pi\u00e8ce dans une dr\u00f4le de tirelire
sur fond de cris d\u2019oiseaux,
sur fond de cris d\u00e9cha\u00een\u00e9s de p\u00e9trels, de mouettes, de go\u00e9lands, de macareux, de
guillemots, de sternes,
\u00e9num\u00e9r\u00e9s sur le panneau que nous regardions tout \u00e0 l\u2019heure \u00e0 l\u2019intention des promeneurs \u2013
haut dans les airs, on entendait aussi une alouette \u2013 de macareux, de go\u00e9lands dont les cris r\u00e9sonnaient en bas,
dans les anfractuosit\u00e9s des rochers,
qui crient \u00abla nuit arrive\u00bb alors qu\u2019elle est encore \u00e0 distance,
passant au-dessus de nos t\u00eates en vols planants
et se posant en bas sur l\u2019eau
ou disparaissant
dans les anfractuosit\u00e9s des rochers cavernes hant\u00e9es par les \u00e9chos de l\u2019oc\u00e9an,
les grondements de la mer dans son remuement perp\u00e9tuel
auquel nous ne pr\u00eations m\u00eame pas attention.

Le soleil pendant ce temps, avec sa cohorte de nuages horizontaux, p\u00e2lissait
et prenait l\u2019allure d\u2019une pi\u00e8ce d\u2019or incertaine dans un tableau de Vermeer,
les quelques pi\u00e8ces pos\u00e9es sur le plat de la table brun jaune dans La Femme \u00e0 la balance <\/em>et qui font de tout petits \u00e9clats.
Que p\u00e8se-t-elle?
Un amour ? La valeur de la vie ?
L\u2019image du Jugement dernier est derri\u00e8re elle avec un Christ bras et jambes \u00e9cart\u00e9s dans une mandorle en or d\u00e9poli, en or terreux,
un orang\u00e9 inqui\u00e9tant, brillant et \u00e9teint \u00e0 la fois, blafard
dans un ciel qui ne ressemble pas du tout \u00e0 celui que nous avons sous les yeux.
L\u00e9ger \u00e9paississement du trait de pinceau par endroit pour marquer
la ligne de la pi\u00e8ce repr\u00e9sent\u00e9e en raccourci.
Et ensuite, la lumi\u00e8re baissant toujours, c\u2019\u00e9tait comme
ces minuscules \u00e9clats sur les plateaux du tr\u00e9buchet que tient la femme.
Minces, tellement discrets
qu\u2019on n\u2019est pas s\u00fbr de les voir
qu\u2019on ne peut pas dire si vraiment on les voit ou si on les suppose
ou si ce qu\u2019on voit est simplement la coloration de l\u2019int\u00e9rieur des minuscules plateaux de cuivre repr\u00e9sent\u00e9s par Vermeer.<\/p>\n\n\n\n

Les phares au loin ont commenc\u00e9 \u00e0 s\u2019allumer.
Celui de la Pointe des Espagnols, celui de la Pointe saint Matthieu
et encore plus loin, celui de Mol\u00e8ne.
Les deux pans de la veste bord\u00e9e de fourrure blanche de La<\/em> Peseuse d’or<\/em>
s’entrouvrent sur un ventre jaune qui s’incurve
comme une lune.<\/p>\n\n\n\n



#96\/ Tout autour de Vermeer (1)<\/a>
#98\/ Tout autour de Vermeer (2)<\/a>
#103 \/ Tout autour de Vermeer (3)<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
sommaire<\/a><\/div>\n\n\n\n
par cat\u00e9gories<\/a><\/div>\n\n\n\n
par noms<\/a><\/div>\n\n\n\n
newsletter<\/a><\/div>\n\n\n\n
dons<\/a><\/div>\n\n\n\n
infos<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

C\u2019est long, une minute<\/p>\n","protected":false},"author":2,"featured_media":4762,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4],"tags":[],"class_list":["post-4756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictions","category-revue-tina"],"yoast_head":"\n#108\/ Tout autour de Vermeer (4), par Christine Lapostolle - <<< \u00e9ditions JOU<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=4756\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#108\/ Tout autour de Vermeer (4), par Christine Lapostolle - <<< \u00e9ditions JOU\" \/>\n<meta property=\"og:description\" content=\"C\u2019est long, une minute\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=4756\" \/>\n<meta property=\"og:site_name\" content=\"<<< \u00e9ditions JOU\" \/>\n<meta property=\"article:published_time\" content=\"2025-06-15T04:38:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revuetina.editionsjou.net\/app\/uploads\/2025\/06\/Peseuse-dor.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"707\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=4756#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=4756\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#108\\\/ Tout autour de Vermeer (4), par Christine Lapostolle\",\"datePublished\":\"2025-06-15T04:38:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=4756\"},\"wordCount\":737,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=4756#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/app\\\/uploads\\\/2025\\\/06\\\/Peseuse-dor.jpg\",\"articleSection\":[\"Fictions\",\"revue TINA\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=4756\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=4756\",\"name\":\"#108\\\/ Tout autour de Vermeer (4), par Christine Lapostolle - 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