{"id":4574,"date":"2025-06-24T02:51:31","date_gmt":"2025-06-24T00:51:31","guid":{"rendered":"https:\/\/editionsjou.net\/?p=4574"},"modified":"2025-06-24T02:51:31","modified_gmt":"2025-06-24T00:51:31","slug":"113-la-biblio-ultra-contemporaine-de-tina","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=4574","title":{"rendered":"#113\/ La biblio ultra contemporaine de TINA"},"content":{"rendered":"\n


Les listes des six biblios TINA sont ici rassembl\u00e9es avec des liens vers des articles, des pr\u00e9sentations d’\u00e9diteurs,
des fiches de lecture. 418 livres et 87 bandes-dessin\u00e9es parus \u00e0 partir de 1990.
Ces listes ont \u00e9t\u00e9 dress\u00e9es par des membres du bureau de la revue TINA et par des invit\u00e9s :
\u00c9ric Arlix, Fr\u00e9d\u00e9ric Arnoux, Christian Bernard, Adrien Blou\u00ebt, Patrick Bouvet, Serge Cassini,Claude Closky, Fran\u00e7ois Deck, Paul Devautour, Jean-Marc Flahaut, Hortense Gauthier, Giselle’s Books, Christine Lapostolle, Pauline Lecerf, Fr\u00e9d\u00e9ric Moulin, L\u00e9a Murawiec, C\u00e9cile P\u00e9try, Jacques Pouyaud,L\u00e9opold Prudon, Elisabeth Sierra, Ian Soliane, Fr\u00e9d\u00e9ric Wecker.
Une quarante de liens pointent vers des notes de lectures d’Hugues Robert de la librairie Charybde<\/a>
(dans la quelle vous pouvez commander l’immense majorit\u00e9 des livres ci-dessous). Bonnes lectures.

<\/p>\n\n\n\n

Litt\u00e9rature fran\u00e7aise (60 livres)<\/strong><\/p>\n\n\n\n

Philippe Adam, Les Centenaires<\/a><\/em>
V\u00e9ronique Bergen, Marylin<\/a><\/em>
Olivier Cadiot, Le colonel des zouaves<\/a><\/em>
Th\u00e9o Casciani, R\u00e9tine<\/a><\/em>
Patrick Chamoiseau, Texaco<\/a><\/em>
Louise Chennevi\u00e8re, Pour Britney<\/a><\/em>
H\u00e9di Cherchour, H\u00f4tel de l\u2019univers<\/a><\/em>
Claro, CosmoZ<\/a><\/em>
Fr\u00e9d\u00e9rique Cosnier, Suzanne et l\u2019influence<\/a><\/em>
Maurice G. Dantec, Les racines du mal<\/a><\/em>
Maurice Dantec, Villa Vortex<\/a><\/em>
Lydie Dattas, La chaste vie de Jean Genet<\/a><\/em>
Maylis de Kerangal, Corniche Kennedy<\/a><\/em>
Sandra de Vivies, La Femme du lac<\/a><\/em>
Charly Delwart, Citoyen Park<\/a><\/em>
Sophie Divry, Rouvrir le roman<\/a><\/em>
Manuela Draeger, Herbes et golems<\/a><\/em>
Catherine Dufour, Outrage et r\u00e9bellion<\/a><\/em>
Jean \u00c9chenoz, Des \u00e9clairs<\/a><\/em>
Jo\u00ebl Egloff, Edmond Ganglion et Fils<\/a><\/em>
Mathias \u00c9nard, Zone<\/a><\/em>
Claude Favre, Ceux qui vont par les \u00e9tranges terres, les \u00e9tranges aventures qu\u00e9rant<\/a><\/em>
J\u00e9r\u00f4me Ferrari, Le sermon sur la chute de Rome<\/a><\/em>
Christophe Fiat, Une aventure de Batman<\/a><\/em>
Marin Fouqu\u00e9, 77<\/a><\/em>
Patrick Goujon, Moi non<\/a><\/em>
Marc Graciano, Le Sacret<\/a><\/em>
Phoebe Hadjimarkos Clarke, Tabor<\/a><\/em>
Iliana Holguin Theodorescu, Aller avec la chance<\/a><\/em>
Michel Houellebecq, Extension du domaine de la lutte<\/a><\/em>
R\u00e9gis Jauffret, Univers univers<\/a><\/em>
Simon Johanin, L\u2019\u00e9t\u00e9 des charognes<\/a><\/em>
Jacques Jouet, MRM<\/a><\/em>
Marine Kergadallan, Elle neige<\/a><\/em>
Mathieu Larnaudie, Les effondr\u00e9s<\/a><\/em>
Linda L\u00ea, Cronos<\/a><\/em>
Quentin Leclerc, Rivage au rapport<\/a><\/em>
Quentin Leclerc, Casca la couronn\u00e9e<\/a><\/em>
No\u00e9mi Lefebvre, Po\u00e9tique de l\u2019emploi<\/a><\/em>
Marie N\u2019diaye, Trois femmes puissantes<\/a><\/em>
Philippe Marczewski, Quand C\u00e9cile<\/a><\/em>
C\u00e9line Minard, Bastard Battle<\/a><\/em>
C\u00e9line Minard, Plasmas<\/a><\/em>
Onuma Nemon, On !<\/a><\/em>
Fr\u00e9d\u00e9ric Paulin, La trilogie<\/em> Tedj Benlazar<\/em><\/a>
Charles Pennequin, La ville est un trou<\/a><\/em>
Beno\u00eet Reiss, Le petit veilleur<\/a><\/em>
Bertrand Schmid, L\u2019aiguilleur<\/a><\/em>
Jean-Jacques Schuhl, Ingrid Caven<\/a><\/em>
Neige Sinno, Triste tigre<\/a><\/em>
Ian Soliane, Culte<\/a><\/em>
Ingrid Tobois, Le plancher de Jeannot <\/a><\/em>
Jean-Philippe Toussaint, Fuir<\/a><\/em>
Philippe Vasset, Un livre blanc<\/a><\/em>
Philippe Vasset, Bandes altern\u00e9es<\/a><\/em>
Laura Vazquez, La semaine perp\u00e9tuelle<\/a><\/em>
Antoine Volodine, Des Anges mineurs<\/a><\/em>
<\/p>\n\n\n\n

Litt\u00e9rature \u00e9trang\u00e8re (81 livres)<\/strong><\/p>\n\n\n\n

Svletana Alexievitch, La Supplication<\/a><\/em>
Kent Anderson, Pas de saison pour l\u2019enfer<\/a><\/em>
Sylvia Avallone, D\u2019acier <\/a><\/em>
Alierd Bacharevic, Les Enfants d\u2019Alendrier<\/a><\/em>
Jesse Ball, The Way Through Door<\/a><\/em>
J.G. Ballard, Super Cannes<\/a><\/em>
Ian M. Banks, Le Cycle de la culture (9 textes)<\/a><\/em>
Agustina Bessa-Luis, Le principe de l\u2019incertitude<\/a><\/em>
Roberto Bolano, La Litt\u00e9rature nazie en Am\u00e9rique<\/a><\/em>
Tony Burgess, Cashtown<\/a><\/em>
Blake Butler, 300 millions<\/a><\/em>
Blake Butler, Scorch Atlas<\/a><\/em>
Michael Cisco, Argent Animal<\/a><\/em>
Mark Z. Danielewski, La maison des feuilles<\/a><\/em>
Dennis Cooper, Dieu Jr.<\/a><\/em>
Dennis Cooper, Salopes<\/a><\/em>
Douglas Coupland, G\u00e9n\u00e9ration A<\/a><\/em>
Douglas Coupland, G\u00e9n\u00e9ration X<\/a><\/em>
Don DeLillo, Cosmopolis<\/a><\/em>
Don DeLillo, Z\u00e9ro K<\/a><\/em>
Jim Dodge, L\u2019oiseau Canad\u00e8che <\/a><\/em>
Seb Doubinsky, Missing Signal<\/a><\/em>
Tristan Egolf, Le seigneur des porcheries<\/a><\/em>
Jonas Eika, After the Sun<\/a><\/em>
Bret Easton Ellis, American psycho<\/a><\/em>
James Ellroy, Ma part d\u2019ombre<\/a><\/em>
Giuliano di Empoli, Les ing\u00e9nieurs du chaos<\/a><\/em>
Hans Magnus Enzensberger, Le bref \u00e9t\u00e9 de l\u2019anarchie<\/a><\/em>
August\u00edn Fern\u00e1ndez Mallo, Nocilla Dream<\/a><\/em>
James Flint, Habitus<\/a><\/em>
Rodrigo Fres\u00e1n, Mantra<\/a><\/em>
Rodrigo Fres\u00e1n, La vitesse des choses<\/a><\/em>
Mary Gaitskill, Veronica<\/a><\/em>
Simonetta Greggio, La Dolce Vita<\/a><\/em>
Pedro Juan Guti\u00e9rrez, Trilogie sale de la Havane<\/a><\/em>
Dermot Healy, Sudden Times<\/a><\/em>
Brian Howell, The Sound of White Ants<\/a><\/em>
Reinhard Jirgl, Ren\u00e9gat, roman du temps nerveux<\/a><\/em>
Denis Johnson, Jesus\u2019 Son<\/a><\/em>
Kristiana Kahakauwila, 39 bonnes raisons de transformer des obs\u00e8ques hawaiiennes en beuverie<\/a><\/em>
Sarah Kane, Psychosis 4.48<\/a><\/em>
Laszlo Krasznahorkai, Seiobo est descendue sur Terre<\/a><\/em>
Lawrence Krauser, Lemon<\/a><\/em>
Alexander Kluge, Chronique des sentiments, Livre 1, Histoires de base<\/a><\/em>
Mark Leyner, Megalomachine<\/a><\/em>
Ang\u00e9lica Liddell, \u00c9crits<\/a><\/em>
Sven Lindqvist, Le si\u00e8cle des bombardements<\/a><\/em>
Cormac Mc Carthy, La Route<\/a><\/em>
Ben Marcus, L\u2019Alphabet des flammes<\/a><\/em>
Stefano Massini, Les fr\u00e8res Lehman<\/a><\/em>
Efraim Medina Reyes, Il \u00e9tait une fois l\u2019amour mais j\u2019ai d\u00fb le tuer<\/a><\/em>
Daniel Mendelsohn, Les disparus<\/a><\/em>
Chronis Missios, Toi au moins, tu es mort avant <\/a><\/em>
Niamh Mulvey, The Amendments<\/a><\/em>
Ryu Murakami, Parasites<\/a><\/em>
Charu Nivedita, Zero Degree<\/a><\/em>
Joyce Carol Oates, Les chutes<\/a><\/em>
Y\u00f4ko Ogawa, L\u2019annulaire<\/a><\/em>
Patrik Ourednik, Europeana<\/a><\/em>
Chuck Palahniuk, Choke<\/a><\/em>
Chuck Palahniuk, Le survivant<\/a><\/em>
Sam Pink, Person<\/a><\/em>
Samanta Schweblin, Fever Dream<\/a><\/em>
W.G. Sebald, Les anneaux de Saturne<\/a><\/em>
W.G.Sebald, Les \u00c9migrants<\/a><\/em>
Will Self, La Th\u00e9orie quantitative de la d\u00e9mence<\/a><\/em>
Ian Sinclair, London Orbital<\/a><\/em>
Kim Stanley Robinson, Le Minist\u00e8re du futur<\/a><\/em>
Peter Straub, The Ballad of Ballard and Sandrine<\/a><\/em>
Vladimir Sorokin, Ice<\/a><\/em>
Olga Tokarczuk, Les P\u00e9r\u00e9grins<\/a><\/em>
Vicente Valero, Exp\u00e9rience et pauvret\u00e9<\/a><\/em>
David Foster Wallace, L\u2019infinie com\u00e9die<\/a><\/em>
Irvine Welsh, Trainspotting<\/a><\/em>
Robert Charles Wilson, Spin<\/a><\/em>
David Wojnarowicz, Au bord du gouffre<\/a><\/em>
William T. Vollmann, Le livre des violences<\/a><\/em>
William T. Vollmann, Les Fusils<\/a><\/em>
B.R. Yeager, Negative Space<\/a><\/em>
Liao Yiwu, Des Balles et de l\u2019opium<\/a><\/em>
Juli Zeh, La Fille sans qualit\u00e9s<\/a><\/em>
<\/p>\n\n\n\n

Po\u00e9sie (90 livres)<\/strong><\/p>\n\n\n\n

Nadine Agostini, Ariane<\/a><\/em>
Claribel Alegria, Otredad<\/a><\/em>
Pierre Alferi, Kub Or<\/a><\/em>
Amandine Andr\u00e9, De la destruction<\/a><\/em>
Jean-Christophe Bailly, Temps r\u00e9el<\/a><\/em>
Samantha Barendson, Americans don\u2019t walk<\/a><\/em>
Luzt Bassman, Ha\u00efkus de prison<\/a><\/em>
Rim Battal, Mine de rien<\/a><\/em>
St\u00e9phane Bernard, Combattant vari\u00e9<\/a><\/em>
Patrick Beurard-Valdoye, Lamenta des murs<\/a><\/em>
Oscarine Bosquet, Participe pr\u00e9sent<\/a><\/em>
St\u00e9phane Bouquet, Un monde existe<\/a><\/em>
Patrick Bouvet, Pulsion lumi\u00e8re<\/a><\/em>
Martine Broda, Toute la po\u00e9sie<\/a><\/em>
Michel Butor, Gyroscope<\/a><\/em>
Olivier Cadiot, Le colonel des Zouaves<\/a><\/em>
Olivier Cadiot, L\u2019Art po\u00e9tic\u2019<\/a><\/em>
Julien d\u2019Abrigeon, Coupe courte<\/a><\/em>
Ramon Gomez de la Serna, Gregueri\u00e0s<\/a><\/em>
Michel Deguy, La Commaison<\/a><\/em>
Marie de Quatrebarbes, Les \u00e9l\u00e9ments<\/a>
<\/em>Patrice Desbiens, Po\u00e8mes<\/a>
<\/em>Olivier Domerg, L\u2019articulation du visible<\/a><\/em>
Fabien Drouet, Sortir d\u2019ici<\/a><\/em>
Caroline Dubois, C\u2019est toi le business<\/a><\/em>
Caroline Dubois, Comment \u00e7a je dis pas dors<\/a><\/em>
Jacques Dupin, L\u2019Esclandre<\/a><\/em>
Jean-Michel Espitallier, Tueurs<\/a><\/em>
Claude Favre, Crever les toits, etc ; D\u00e9placements<\/a><\/em>
Christophe Fiat, Ladies in the dark<\/a><\/em>
Christophe Fiat, New-York 2001<\/a><\/em>
Giovanni Fontana, Je sens [donc je son<\/a><\/em>
Dominique Fourcade, \u00e9ponges mod\u00e8le 2003<\/a><\/em>
Emmanuel Fournier, Tractatus infinitivo-poeticus<\/a><\/em>
Laure Gauthier, Les corps caverneux<\/a><\/em>
J\u00e9r\u00f4me Game, Album photo<\/a><\/em>
Liliane Giraudon, Une femme morte n\u2019\u00e9crit pas<\/a><\/em>
Liliane Giraudon, L\u2019amour est plus froid que le lac<\/a><\/em>
Louise Gl\u00fcck, The wild Iris<\/a><\/em>
A. C. Hello, Naissance de la gueule<\/a><\/em>
Fr\u00e9d\u00e9rick Houdaer, Anges profanes<\/a>
<\/em>Michel Houellebecq, Le Sens du combat<\/a><\/em>
Manuel Joseph, Heroes are Heroes<\/a>
<\/em>Manuel Joseph, Amilka aime Pessoa<\/a><\/em>
Anne Kawala, Les Aventures d\u2019Orph\u00e9e Fo\u00ebne \u00e0 Dos Romeiros<\/a><\/em>
Abbas Kiarostami, Des milliers d\u2019arbres solitaires<\/a><\/em>
Jindra Kratochvil, Toutes mes pens\u00e9es ne sont pas des fl\u00e8ches<\/a>
<\/em>Daniel Labedan, Central Cosmos<\/a>
<\/em>Sophie G. Lucas, Moujik Moujik<\/a>
<\/em>Pierre Mabille, On fait comment<\/a><\/em>
C\u00e9cile Mainardi, La Blondeur<\/a><\/em>
Juan Martinez, Le nouveau roman<\/a><\/em>
Vannina Maestri, Mobiles<\/a><\/em>
Mich\u00e8le M\u00e9tail, MONO-MULTI-LOGUES<\/a><\/em>
Muri\u00e8le Mod\u00e9ly, Tu \u00e9cris des po\u00e8mes<\/a>
<\/em>Katalin Molnar, Po\u00e8mes Incorrects et chants Transcrits<\/a><\/em>
Sandra Moussemp\u00e8s, Cin\u00e9ma de l\u2019affect<\/a><\/em>
Onuma Nemon, OGR<\/a><\/em>
F. J. Ossang, Les guerres polaires<\/a><\/em>
Charles Pennequin, Gabineau-les-bobines<\/a><\/em>
Charles Pennequin, Dedans<\/a><\/em>
Charles Pennequin, Bibi<\/a><\/em>
Charles Pennequin, Comprendre la vie<\/a><\/em>
Nicolas Pesqu\u00e8s, La Face nord du Juliau [et tout le \u00ab La Face nord du Juliau \u00bb]
<\/a><\/em>V\u00e9ronique Pittolo, H\u00e9l\u00e8ne mode d\u2019emploi<\/a><\/em>
Anne Portugal, La formuel flirt<\/a><\/em>
Christian Prigent, Le Professeur<\/a><\/em>
Nathalie Quintane, Chaussures<\/a><\/em>
Nathalie Quintane, Tomates<\/a><\/em>
C\u00e9cile Richard, Jak<\/a>
<\/em>Thierry Roquet, \u00c0 r\u00e9sister comme \u00e7a<\/a>
<\/em>Jacques Roubaud, La forme d\u2019une ville change plus vite, h\u00e9las, que le c\u0153ur des humains. Cent cinquante po\u00e8mes<\/a><\/em>
Val\u00e9rie Rouzeau, Quand je me deux<\/a><\/em>
Jean-Fran\u00e7ois Santoro, Midlife crisis<\/a><\/em>
Eleni Sikelianos, L\u2019Horloge au corps<\/a><\/em>
Jacques Sivan, Similijake<\/a><\/em>
Geoffrey Squires, Paysages et silences<\/a>
<\/em>Jude Stefan, Disparates<\/a><\/em>
Christophe Tarkos, Caisses<\/a>
<\/em>Christophe Tarkos, Le signe =<\/a><\/em>
Christophe Tarkos, Pan <\/a><\/em>
Kate Tempest, Brand New Ancients<\/a><\/em>
Laura Vasquez, La semaine perp\u00e9tuelle<\/a><\/em>
Thomas Vinau, Bric \u00e0 brac hopperien<\/a>
<\/em>Catherine Weinzaepflen, Le rrawrr des corbeaux<\/a><\/em>
Phyllis Yordan, First Nation, My America<\/a><\/em>
Andrea Zanzotto, Du paysage \u00e0 l\u2019idiome<\/a><\/em>
<\/p>\n\n\n\n

Essais (85 livres)<\/strong><\/p>\n\n\n\n

David Abram, Comment la terre s\u2019est tue, pour une \u00e9cologie des sens<\/a>
<\/em>Giorgio Agamben, La communaut\u00e9 qui vient<\/a><\/em>
Svetlana Alexievitch, La Fin de l\u2019homme rouge<\/a><\/em>
Mark Alizart, Informatique c\u00e9leste<\/a><\/em>
Philippe Arti\u00e8res, Les Enseignes lumineuses<\/a><\/em>
J\u00e9r\u00f4me Baschet, D\u00e9faire la tyrannie du pr\u00e9sent, Temporalit\u00e9s \u00e9mergentes et futurs in\u00e9dits<\/a>
<\/em>Keith Basso, L\u2019eau se m\u00eale \u00e0 la boue dans un bassin \u00e0 ciel ouvert<\/a><\/em>
Jean Baudrillard, Le Crime parfait<\/a><\/em>
A. Bayly, La Naissance du monde moderne (1780-1914)<\/a><\/em>
Bruce B\u00e9gout, Suburbia<\/a><\/em>
Marc Berdet, Fantasmagories du capital<\/a><\/em>
Hakim Bey, TAZ<\/a><\/em>
Hakim Bey, Sermons radiophoniques<\/a><\/em>
Michel Boccara, La Part animale de l\u2019homme<\/a><\/em>
Robert Bogdan, La Fabrique des monstres<\/a><\/em>
Xavier Boissel, Paris est un leurre<\/a><\/em>
No\u00ebl Burch, La Lucarne de l\u2019infini<\/a><\/em>
Coline Cardi et Genevi\u00e8ve Pruvost, Penser la violence des femmes<\/a><\/em>
Gr\u00e9goire Chamayou, Th\u00e9orie du drone<\/a><\/em>
Yves Citton, Pour une \u00e9cologie de l\u2019attention<\/a><\/em>
Jean & John Comaroff, Zombies et fronti\u00e8res \u00e0 l\u2019\u00e8re n\u00e9o-lib\u00e9rale<\/a><\/em>
Matthew B. Crawford, \u00c9loge du carburateur \u2013 Essai sur le sens et la valeur du travail<\/em><\/a>
Jonathan Crary, 24\/7 le capitalisme \u00e0 l\u2019assaut du sommeil<\/a><\/em>
Giuliano da Empoli, L\u2019heure des pr\u00e9dateurs<\/a><\/em>
Mike Davies, G\u00e9nocides tropicaux<\/a><\/em>
Philippe Descola, Par-del\u00e0 nature et culture<\/a><\/em>
Vinciane Despret, Les morts \u00e0 l\u2019\u0153uvre<\/a><\/em>
Vinciane Despret, La danse du crat\u00e9rope \u00e9caill\u00e9 \u2013 Naissance d\u2019une th\u00e9orie \u00e9thologique<\/a>
<\/em>Jean-Louis Dessalles, Aux origines du langage \u2013 Une histoire naturelle de la parole<\/a><\/em>
Georges Didi-Huberman, L\u2019image survivante, histoire de l\u2019art et temps des fant\u00f4mes selon
aby Warburg<\/a>
<\/em>Roberto Esposito, Communaut\u00e9, immunit\u00e9, biopolitique \u2013 repenser les termes de la politique<\/a><\/em>
Michel Faucheux, Norbert Weiner, le Golem et la cybern\u00e9tique<\/a><\/em>
Nina Ferrer-Gleize, L\u2019Agriculture comme \u00e9criture<\/a>
<\/em>Standley Fish, Quand lire c\u2019est faire \u2013 L\u2019autorit\u00e9 des communaut\u00e9s interpr\u00e9tatives<\/a><\/em>
J\u00e9r\u00f4me Fourquet & Jean-Laurent Cassely, La France sous nos yeux<\/a><\/em>
Kenneth Goldsmith, L\u2019\u00c9criture sans \u00e9criture \u2013 du langage \u00e0 l\u2019\u00e2ge num\u00e9rique<\/a><\/em>
Rae Beth Gordon, De Charcot \u00e0 Charlot <\/a><\/em>
David Graeber, Bulshit jobs<\/a>
<\/em>David Graeber, David Weingrow, Au commencement \u00e9tait\u2026 Une nouvelle histoire de
l\u2019humanit\u00e9<\/a><\/em>
David Graeber, La fausse monnaie de nos r\u00eaves<\/a>
<\/em>Stephen Graham, Villes sous contr\u00f4le<\/a><\/em>
Boris Groys, En public<\/a>
<\/em>\u00c9ric Hazan, LQR \u2013 la propagande du quotidien<\/a><\/em>
Pekka Himanen, L\u2019\u00c9thique Hacker et l\u2019Esprit de l\u2019\u00e8re de l\u2019information<\/a><\/em>
Ivan Illich, La perte des sens<\/a>
<\/em>Tim Ingold, Une br\u00e8ve histoire des lignes<\/a>
<\/em>Tim Ingold, Faire Anthropologie, arch\u00e9ologie, art et architecture<\/a>
<\/em>Naomi Klein, La Strat\u00e9gie du choc<\/a><\/em>
Naomi Klein, No Logo<\/a><\/em>
Michel Lallement, L\u2019\u00c2ge du faire \u2013 Hacking, travail, anarchie<\/a><\/em>
Peter Lamborn Wilson, Utopies pirates<\/a><\/em>
Jean Lass\u00e8gue, Giuseppe Longo, L\u2019empire num\u00e9rique<\/a><\/em>
Bruno Latour, Cogitamus, six lettres sur les humanit\u00e9s scientifiques<\/a>
<\/em>Maurizio Lazzarato, La Fabrique de l\u2019homme endett\u00e9<\/a>
<\/em>Franck Leibovici, Des documents po\u00e9tiques<\/a><\/em>
Sven Lindqvist, Exterminez toutes ces brutes ! (Un voyage \u00e0 la source des g\u00e9nocides)<\/a><\/em>
H\u00e9l\u00e8ne Ling et In\u00e8s Sol Salas, Le F\u00e9tiche et la plume (La litt\u00e9rature, nouveau produit du capitalisme)<\/a><\/em>
Anna Lowenhaupt Tsing, Le champignon de la fin du monde \u2013 Sur la possibilit\u00e9 de vivre dans les ruines du capitalisme<\/a>
<\/em>Sandra Lucbert, D\u00e9faire voir \u2013 Litt\u00e9rature et politique<\/a><\/em>
Robert Macfarlane, The old ways, a journey on foot<\/a>
<\/em>Greil Marcus, Lipstick Traces : une histoire secr\u00e8te du vingti\u00e8me si\u00e8cle<\/a><\/em>
Joana Mas\u00f3, Soigner les institutions<\/a><\/em>
Alexandra Midal, La Manufacture du meurtre<\/a><\/em>
Evgeny Morozov, Le Mirage num\u00e9rique (Pour une politique du big-data)<\/a><\/em>
Yann Moulier Boutang, Capitalisme cognitif \u2013 La nouvelle grande transformation<\/a><\/em>
Jeremy Narby, Le Serpent cosmique<\/a><\/em>
Antonio N\u00e9gri et Michael Hardt, Empire<\/a><\/em>
Fr\u00e9d\u00e9ric Neyrat, Terrorisme : un concept pi\u00e9g\u00e9<\/a><\/em>
Jessica Oubli\u00e9, Marie-Ange Rousseau, Peyi an nou, un exil vers l\u2019hexagone<\/a><\/em>
Corinne Pelluchon, R\u00e9parons le monde<\/a>
<\/em>Anna Politkovska\u00efa, Tch\u00e9tch\u00e9nie, le d\u00e9shonneur russe<\/a><\/em>
Kenneth Pommeranz, Une grande divergence<\/a><\/em>
Genevi\u00e8ve Pruvost, Quotidien politique \u2013 F\u00e9minisme, \u00e9cologie, subsistance<\/a><\/em>
Avital Ronell, Addict : fixions et narcotextes<\/a><\/em>
Hartmut Rosa, R\u00e9sonnance<\/a><\/em>
Christian Salmon, Tombeau de la fiction<\/a><\/em>
Saskia Sassen, La Ville globale<\/a><\/em>
James C. Scott, Zomia ou l\u2019art de ne pas \u00eatre gouvern\u00e9<\/a><\/em>
Susan Sontag, Devant la douleur des autres<\/a><\/em>
Isabelle Stengers, Sciences et Pouvoirs<\/a><\/em>
Barbara Stiegler, De la d\u00e9mocratie en pand\u00e9mie, sant\u00e9, recherche, \u00e9ducation<\/a><\/em>
Bernard Stiegler, Prendre soin, de la jeunesse et des g\u00e9n\u00e9rations<\/a><\/em>
Peter Sloterdijk, Bulles (Sph\u00e8res Tome 1)<\/a><\/em>
Peter Sloterdijk, La mobilisation infinie \u2013 Vers une critique de la cin\u00e9tique politique<\/a><\/em>
Gwenola Wagon, Plan\u00e8te B<\/a><\/em>
St\u00e9phane Zagdanski, La Mort dans l\u2019\u0153il \u2013 Critique du cin\u00e9ma comme vision, domination, falsification, \u00e9radication, fascination, manipulation, d\u00e9vastation, usurpation<\/a><\/em>
<\/p>\n\n\n\n

\u00c9crits sur l’art, livres d’artistes (57 livres)<\/strong><\/p>\n\n\n\n

Martine Aball\u00e9a, Horizons incertains \u2013 Nuit blanche aux Sables<\/a>
<\/em>Richard Agerbeek, A trip to Central Park<\/a><\/em>
Jean-Michel Alberola, Instructions aux domestiques<\/a>
<\/em>Anna Banana, Bananen<\/a><\/em>
Anne Cauquelin, L\u2019art contemporain<\/a><\/em>
Oscar Chan Yik Long, Melted Stars<\/a><\/em>
Ivan Cheng, Confidences \/ Oracle<\/a><\/em>
Nathalie Chollet & Raphael Massart, Split Log<\/a><\/em>
Claude Closky, Mon catalogue<\/a><\/em>
Jean-Pierre Cometti, La Nouvelle Aura \u2013 \u00c9conomies de l\u2019art et de la culture<\/a><\/em>
Anne Lise Coste, Raie bu d\u2019acte tua lit th\u00e9<\/a>
<\/em>Adrian Djuki\u0107, Karin Althaus et al., Surrealismus + Antifaschismus Antologie<\/em>
Vil\u00e9m Flusser et Louis Bec, Vampyroteuthis infernalis<\/a><\/em>
Yona Friedman, D\u00e9mocratie<\/a><\/em>
Liam Gillick, L\u2019\u00eele de la discussion, Le grand centre de conf\u00e9rence<\/a><\/em>
Kenneth Goldsmith, Soliloquy<\/a>
<\/em>Boris Groys, En public \u2013 Po\u00e9tique de l\u2019auto-design<\/a><\/em>
Juli Gudehus, Genesis<\/a>
<\/em>Aurelia Guo, New York Temps<\/a><\/em>
Karl Holmqvist, Give poetry a try<\/a><\/em>
Gary Indiana, Schwarzennegger Syndrome, Politics and Celebrity in the Age of Contempt<\/a>
<\/em>Tim Ingold, Faire \u2013 Anthropologie, arch\u00e9ologie, art et architecture<\/a><\/em>
Inventory, The Counsel of Spent<\/a><\/em>
Fredric Jameson, Le postmodernisme<\/a><\/em>
Tarren Johnson, We don\u2019t live here anymore<\/a><\/em>
Ana Jotta, Windsor Blue \u2013 Red Shade<\/a>
<\/em>Thomas Lanigan Schmidt & Ana Baliza (ed.), Rat Attack in Hell\u2019s Kitchen<\/a><\/em>
Maria Lassnig, Kunstfiguren<\/a><\/em>
Martin Le Chevallier, R\u00e9pertoire des subversions. Art, activisme, m\u00e9thodes<\/a><\/em>
Franck Leibovici, Des documents po\u00e9tiques<\/a><\/em>
Annie Lebrun, Ce qui n\u2019a pas de prix<\/a><\/em>
Hanne Lippard, Nuances of No<\/a><\/em>
Paul McCarthy, Trans> Arts.Cultures.Media: No. 8<\/a>
<\/em>Erin Manning et Brian Massumi, Pens\u00e9e en acte \u2013 Vingt propositions pour la recherche-cr\u00e9ation<\/a><\/em>
Mayra, The Echo<\/em>
Annette Messager, \u00c9tat Civil<\/a>
<\/em>Alexandra Mir & Tim Griffin, Bad Reviews: An Artists\u2019 Book by 150 Artists<\/a><\/em>
Jean-Claude Moineau, Retour du futur \u2013 L\u2019art \u00e0 contre-courant<\/a><\/em>
Marie-Jos\u00e9 Mondzain, Image, ic\u00f4ne, \u00e9conomie \u2013 Les sources byzantines de l\u2019imaginaire contemporain<\/a><\/em>
Pietro Montani, Bioesth\u00e9tique \u2013 Sens commun, technique et art \u00e0 l\u2019\u00e2ge de la globalisation<\/a><\/em>
Philippe Parreno, Speech Bubbles<\/a>
<\/em>Philippe Perrin, Starkiller<\/a><\/em>
Adrian Piper, Colored People<\/a>
<\/em>Melana Pizani, An Artist<\/a>
<\/em>Laure Prouvost, Color Me<\/a>
<\/em>Olivier Quintyn, Valences de l\u2019avant-garde \u2013 Essai sur l\u2019avant-garde, l\u2019art contemporain et l\u2019institution<\/a><\/em>
Sophie Ristelhueber, Operation<\/a>
<\/em>Richard Shusterman, L\u2019art \u00e0 l\u2019\u00e9tat vif \u2013 La pens\u00e9e pragmatiste et l\u2019esth\u00e9tique populaire<\/a><\/em>
Jo Spence, Fairy Tales and photography, or, another look at cinderella<\/a><\/em>
Simon Starling, Superflex, Reprototypes, Triangulations and Road Tests<\/a><\/em>
Ernest T, La vie d\u2019artiste<\/a>
<\/em>Rirkrit Tiravanija, On Making Less<\/a><\/em>
Laurent Tixador, Abraham Poincheval, L\u2019inconnu des grands horizons<\/a><\/em>
Martin Tupper, Le Mode Story<\/a><\/em>
\u00c9ric Watier, Un livre<\/a><\/em>
Stephen Wright, Toward a Lexicon of Usership<\/a><\/em>
Estelle Zhong Mengal, Apprendre \u00e0 voir \u2013 Le point de vue du vivant<\/a><\/em>
<\/p>\n\n\n\n

Bandes-dessin\u00e9es (87 livres)<\/strong><\/p>\n\n\n\n

Abouet et Oubrerie, Aya de Yopougon<\/a><\/em>
Hiromu Arakawa, Fullmetal Alchemist<\/a><\/em>
Aristophane, Les s\u0153urs Zab\u00eeme<\/a><\/em>
Lynda Barry, Come Over, Come Over<\/a><\/em>
Alison Bechdel, Dykes to Watch Out For<\/a><\/em>
Alison Bechdel, Gouines \u00e0 suivre <\/a><\/em>
Alison Bechdel, L\u2019essentiel des Gouines \u00e0 Suivre<\/a><\/em>
Christophe Blain, Isaac le pirate<\/a><\/em>
Christophe Blain, Gus<\/a><\/em>
Marine Blandin, Fables nautiques<\/a><\/em>
Blutch, Le petit Christian<\/a><\/em>
Xavier Bouyssou, Le livre oracle<\/a><\/em>
Claire Braud, La Chi\u00e2le <\/a><\/em>
Raymon Briggs, Ethel et Ernest<\/a><\/em>
Claire Bret\u00e9cher, Agrippine<\/a><\/em>
Nino Bulling, Firebugs<\/a><\/em>
Charles Burns, Black Hole<\/a><\/em>
Catherin, Momm<\/a><\/em>
Daniel Clowes, Patience<\/a><\/em>
Robert Crumb, La Gen\u00e8se<\/a><\/em>
Michael Deforge, Big Kids<\/a><\/em>
Samuel R. Delany & Mia Wolff, Bread & Wine<\/a><\/em>
Guy Delisle, Shenzhen<\/a><\/em>
Guy Delisle, Pyongyang<\/a><\/em>
Diane DiMassa, Hothead Paisan: Homicidal Lesbian Terrorist<\/a><\/em>
Julie Doucet, Maxiplotte<\/a><\/em>
Florence Dupr\u00e9 la Tour, Pucelle<\/a><\/em>
Emil Ferris, Moi, ce que j’aime, c’est les monstres <\/a><\/em>
Anneli Furmark, Walk me to the corner <\/a><\/em>
Tom Gauld, Vous \u00eates tous jaloux de mon jetpack<\/a><\/em>
Melinda Gebbie, Filles perdues<\/a><\/em>
Dominique Goblet et Dominique Th\u00e9\u00e2te, L\u2019Amour Dominical<\/a><\/em>
Alex Graham, Dog Biscuits<\/a><\/em>
Emmanuel Guibert, Le photographe<\/a><\/em>
Anna Haifisch, The Artist<\/a><\/em>
Gilbert Hernandez, Love and Rockets X<\/a><\/em>
Elisabeth Holleville, L’\u00e9t\u00e9 fant\u00f4me <\/a><\/em>
Ben Katchor, Julius Knipl, Real Estate Photographer<\/a><\/em>
Pierre la Police, Les Practiciens de l\u2019Infernal<\/a><\/em>
Oriane Lassus, Quoi de plus normal qu’infliger la vie ? <\/a><\/em>
\u00c9tienne L\u00e9croart, Victor et Pervenche<\/a><\/em>
Nicole Lobel, En territoire ennemi <\/a><\/em>
Mirion Malle, C’est comme \u00e7a que je disparais<\/a><\/em>
Taiy\u014d Matsumoto, Sunny<\/a><\/em>
David Mazzuchelli, Asterios Polyp<\/em><\/a>
Scott McCloud, L\u2019art invisible<\/em><\/a>
Richard McGuire, Ici<\/em><\/a>
Shigeru Mizuki, Nonnonba<\/a><\/em>
Moebius, Arzak<\/a><\/em>
Deena Mohamed, Shubeik Lubeik<\/a><\/em>
Chantal Montellier, Faux sanglant<\/a><\/em>
Kabi Nagata, Journal de ma solitude<\/a><\/em>
Fabrice Neaud, Le Journal <\/em>T1, 2, 3, 4, [5] (Le Dernier Sergent<\/em>)<\/a>
Jeff Nicholson, Through the Habitrails: Life Before and After My Career in the Cubicles<\/a><\/em>
Ky\u014dko Okazaki, Tokyo Girls Bravo<\/em><\/a>
Tommi Parrish, Men I Trust<\/a><\/em>
Dimitri Planchon, J\u00e9sus et les copains<\/a><\/em>
Michel Rabagliati, Paul dans le nord<\/a><\/em>
Relom, Andy et Gina<\/a><\/em>
Anouk Ricard, Animan<\/a><\/em>
Anouk Ricard, Plan plan cucul <\/a><\/em>
Anouk Ricard, Coucous Bouzon<\/a><\/em>
Jean-Marc Rochette, Ailefroide Altitude 3954<\/a><\/em>
Don Rosa, La jeunesse de Picsou<\/a><\/em>
Joe Sacco, Palestine<\/a><\/em>
Rias Sattouf, L\u2019arabe du futur<\/a><\/em>
Marjane Satrapi, Poulet aux prunes<\/a><\/em>
Marjane Satrapi, Persepolis<\/a><\/em>
Olivier Schrauwen, Ars\u00e8ne Schrauwen <\/a><\/em>
Dash Shaw, Bottomless Belly Button<\/a><\/em>
Posy Simmonds, Tamara Drewe<\/a><\/em>
Art Spiegelman, Maus<\/a><\/em>
Art Spiegelma , \u00c0 l\u2019ombre des tours mortes<\/a><\/em>
Sammy Stein, Visages du Temps<\/em><\/a>
Liv Stromquist, Les Sentiments du prince Charles <\/a><\/em>
Jiro Tanigushi, Quartier lointain<\/a><\/em>
Tardi, C’\u00e9tait la guerre des tranch\u00e9es<\/em> <\/a>
Greg Thompson, Blankets : manteau de neige<\/a><\/em>
Yoshiharu Tsuge, L’homme sans talent<\/em> <\/a>
Naoki Urasawa, Pluto<\/a><\/em>
Tillie Walden, Dans un rayon de Soleil <\/a><\/em>
Chris Ware, Jimmy Corrignan, the smartest Kid on Earth<\/a><\/em>
Julia Wertz, Whisky and New York<\/em>
Willem, Anal symphonies<\/a><\/em>
Winshluss, Pinocchio<\/a><\/em>
Ai Yazawa, Nana<\/a><\/em>
Yuichi Yokoyama, Jardin<\/a><\/em>




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