{"id":3684,"date":"2025-04-07T05:57:34","date_gmt":"2025-04-07T03:57:34","guid":{"rendered":"https:\/\/editionsjou.net\/?p=3684"},"modified":"2025-04-07T05:57:34","modified_gmt":"2025-04-07T03:57:34","slug":"77-la-machine-a-composer-des-vers-par-stanislas-lem","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=3684","title":{"rendered":"#77\/ La machine \u00e0 composer des vers par Stanislas Lem"},"content":{"rendered":"\n

\u00ab\u00a0Retour vers le futur\u00a0\u00bb TINA vous propose de red\u00e9couvrir des textes \/\/\/ <\/strong>1965<\/p>\n\n\n\n

Il ne fallut point longtemps pour que la nouvelle de l\u2019existence du fameux \u00e9lectrimeur parvint aux oreilles des v\u00e9ritables auteurs, c\u2019est-\u00e0-dire des po\u00e8tes ordinaires. Piqu\u00e9s au vif, ceux-ci r\u00e9solurent d\u2019ignorer la machine. Il se trouva cependant quelques curieux pour se rendre en tapinois chez l\u2019\u00e9lectrouv\u00e8re. Ce dernier les re\u00e7ut fort aimablement, dans la grand-salle jonch\u00e9e de papiers abondamment couverts d\u2019\u00e9critures ; car sachez qu\u2019il cr\u00e9ait nuit et jour, besognant sans tr\u00eave. Ces po\u00e8tes faisaient partie de l\u2019avant-garde, tandis que l\u2019\u00e9lectrouv\u00e8re composait dans le style traditionnel ; en effet, Trurl qui s\u2019y entendait fort peu en mati\u00e8re de po\u00e9sie, avait pris pour mod\u00e8le les grands classiques afin d\u2019\u00e9laborer ses programmes \u00ab inspirateurs \u00bb. Et les nouveaux venus se gauss\u00e8rent si fort de notre \u00e9lectrimeur que ses tubes cathodiques menac\u00e8rent d\u2019\u00e9clater. Apr\u00e8s quoi ils se retir\u00e8rent en grand triomphe. La machine poss\u00e9dait cependant un syst\u00e8me d\u2019autoprogrammation, ainsi qu\u2019un circuit sp\u00e9cial fonctionnant comme amplificateur d\u2019ambition ; ajoutons que celui-ci \u00e9tait pourvu de coupe-circuit d\u2019une intensit\u00e9 de six kiloamp\u00e8res. C\u2019est pourquoi la situation \u00e9volua tr\u00e8s rapidement. Les vers de notre \u00e9lectrimeur se firent obscurs, ambigus, turpistes, magiques et \u00e9mouvants jusqu\u2019\u00e0 en devenir totalement incompr\u00e9hensibles. Aussi, lorsqu\u2019un nouveau groupe de po\u00e8tes vint \u00e0 son tour pour se gausser et se jouer de la machine, celle-ci riposta imm\u00e9diatement par une improvisation d\u2019une telle modernit\u00e9, qu\u2019ils en eurent litt\u00e9ralement le souffle coup\u00e9.<\/p>\n\n\n\n

[\u2026]<\/p>\n\n\n\n

D\u00e8s lors, nul artiste ne put r\u00e9sister \u00e0 la fatale tentation de d\u00e9fier l\u2019\u00e9lectrouv\u00e8re en un tournoi lyrique. C\u2019est pourquoi les plus audacieux accouraient de toute parts, portant avec eux besaces et classeurs bourr\u00e9s de volumineux manuscrits. L\u2019\u00e9lectrouv\u00e8re laissait tranquillement d\u00e9clamer chaque nouveau venu, apr\u00e8s quoi, il calculait l\u2019algorithme de son po\u00e8me, s\u2019en inspirait et r\u00e9pondait par des vers qui, con\u00e7us dans le m\u00eame esprit, \u00e9taient cependant de deux cent vingt \u00e0 trois cent quarante-sept fois meilleurs.
<\/p>\n\n\n\n

\"\"
Vignette extraite de la publication \u00ab Le Diable Rouge \u2013 almanach cabalistique pour 1850 \u00bb \u00e9dit\u00e9e par G. de Nerval et H. Delaage.<\/figcaption><\/figure>\n\n\n\n

[Par la suite, de nombreux po\u00e8tes, classiques et modernes, se suicident. D\u2019autres demandent aux autorit\u00e9s d\u2019ordonner la d\u00e9sactivation de la machine \u00e0 produire des po\u00e8mes mais se heurtent \u00e0 l\u2019enthousiasme de la presse et du public pour le rimeur \u00e9lectronique qui \u00ab \u00e9crivant simultan\u00e9ment sous plusieurs milliers de pseudonymes, \u00e9tait toujours pr\u00eat \u00e0 leur fournir \u00e0 chaque occasion un po\u00e8me de la longueur souhait\u00e9e \u00bb. D\u2019autres encore tentent de d\u00e9truire la machine et menacent son cr\u00e9ateur, Trurl, qui se r\u00e9sout \u00e0 la mettre hors service, pour se laisser finalement attendrir pas les supplications lyriques qu\u2019elle lui adresse. Suivront de nouveaux rebondissements, dont, sans entrer dans leur d\u00e9tail, la cause premi\u00e8re m\u00e9rite amplement, quant \u00e0 elle, d\u2019\u00eatre mentionn\u00e9e et m\u00e9dit\u00e9e : \u00ab Nonobstant, lorsque le mois d\u2019apr\u00e8s il re\u00e7ut sa note d\u2019\u00e9lectricit\u00e9 et qu\u2019il lui fallut payer l\u2019\u00e9nergie d\u00e9pens\u00e9e par la machine, il manqua v\u00e9ritablement d\u00e9faillir \u00bb\u2026]
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Stanislas Lem\u2028<\/strong>
La Cyb\u00e9riade\u00a0(1965) \u2028
Extrait de la quatri\u00e8me partie, Les sept croisades de Trurl et Clapaucius\u00a0<\/em>:
\u00ab\u00a0Croisade n\u00b0\u00a01 bis ou l\u2019\u00e9lectrouv\u00e8re de Trurl\u00a0\u00bb.
\u2028(Traduction du polonais de Dominique Sila, 1980.)\u2028
https:\/\/www.parislibrairies.fr\/livre\/9782330186364-la-cyberiade-lem\/<\/a>

Tableau<\/strong> : \u00ab\u00a0L\u2019exp\u00e9rience malheureuse\u00a0\u00bb, huile sur toile, Victor Brauner, 1951 (MNAM)
<\/p>\n\n\n\n

\"\"
Stanislas Lem<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\n
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