{"id":11680,"date":"2026-06-20T04:29:10","date_gmt":"2026-06-20T02:29:10","guid":{"rendered":"https:\/\/editionsjou.net\/?p=11460"},"modified":"2026-06-20T04:29:10","modified_gmt":"2026-06-20T02:29:10","slug":"297-le-peintre-de-la-vie-moderne-par-samuel-vandermeer-2","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=11680","title":{"rendered":"#297\/ Le peintre de la vie moderne, par Samuel Vandermeer"},"content":{"rendered":"\n


Au bureau, vous auriez aim\u00e9 discuter davantage avec un client des conditions d\u2019ouverture d\u2019un Plan d\u2019\u00c9pargne en Actions. Pr\u00e9coniser un investissement progressif de 1 000 \u20ac par mois, pendant 20 ans, en comptant un apport de 5 000, ce qui permettrait de lisser le prix d\u2019achat des actifs et de r\u00e9duire les risques en cas de baisse des march\u00e9s.\u00a0Vous \u00eates au -1, dans les b\u00e2timents de la Terrasse 3. \u00c0 c\u00f4t\u00e9, les jeunes en alternance suivent un cours juridique sur la gestion des sinistres.

Dehors il fait lourd. Les pelouses se couvrent de petites fleurs blanches.

Aux salles ont \u00e9t\u00e9 attribu\u00e9s des noms de peintres c\u00e9l\u00e8bres. Dubuffet. Delacroix. Modigliani. Pourquoi les peintres\u00a0? Et pourquoi pas, comme le fait le Cr\u00e9dit Agricole pour son \u00ab\u00a0SQY Park\u00a0\u00bb, des noms de r\u00e9gions\u00a0? L\u2019Aquitaine, l\u2019Occitanie, c\u2019est beau quand m\u00eame. Car, hormis quelques accessoires simplistes (catalogue, livres d\u2019exposition, moquette synth\u00e9tisant le d\u00e9tail d\u2019un tableau qu\u2019une personne ne partageant pas le m\u00eame capital culturel devra nettoyer tous les jours), les lieux ne th\u00e9matisent pas vraiment l\u2019\u0153uvre de tel ou tel peintre, au point que, si le nom ne figurait pas sur l\u2019\u00e9cran d\u2019accueil, si un responsable dou\u00e9 de patience n\u2019arr\u00eatait pas de vous r\u00e9p\u00e9ter que, si si, c\u2019est bien la salle Rembrandt, on pourrait tout aussi bien \u00eatre en salle Delacroix, ou m\u00eame, en salle Dubuffet. Vous pourriez ne pas reconna\u00eetre ni l\u2019un ni l\u2019autre de toute fa\u00e7on. Ne pas avoir les connaissances ou la curiosit\u00e9 suffisantes pour savoir qui a peint quoi, si tant est que peindre ait ici le m\u00eame sens \u00ab\u00a0couvrir, colorer \u00e0 l\u2019aide de peinture\u00a0; peindre un num\u00e9ro sur une plaque\u00a0\u00bb par exemple. Dubuffet, lui, peignait sur de grosses plaques de pl\u00e2tre, des motifs g\u00e9om\u00e9triques, des visages expressifs. \u00c7a ne colle pas trop \u00e0 l\u2019ambiance des plantes hyper r\u00e9alistes, tout comme les livres de la biblioth\u00e8que qui, en fait, ne s\u2019ouvrent pas.
Dommage. Ce sont juste de petites bo\u00eetes en carton imitatives.<\/p>\n\n\n\n

La salle Rembrandt fuit, on vous l\u2019a d\u00e9j\u00e0 r\u00e9p\u00e9t\u00e9 plusieurs fois. Il a fallu que la s\u00e9curit\u00e9 vous interrompe, et installe une bassine sur la table du bureau o\u00f9 l\u2019eau a tendance \u00e0 couler. Peu importe. Une banque ou une assurance digne de ce nom se doit aussi d\u2019\u00eatre un m\u00e9c\u00e8ne des artistes c\u00f4t\u00e9s \u00e0 l\u2019international. Comme les couloirs sont tr\u00e8s grands, ils sont vou\u00e9s aux grandes \u0153uvres. Une Islande parfaitement cr\u00e9dible en martienne de t\u00e9l\u00e9, un miroir d\u00e9coup\u00e9 dans une plaque en verre dichro\u00efque. \u00c0 l\u2019\u00e9tage, Iron Man c\u00f4toie \u00e0 \u00e9chelle humaine la machine \u00e0 caf\u00e9 et, ce qui tient plus de la boutade, le Mus\u00e9e des Technologies disparues, t\u00e9l\u00e9phone, radio, polaro\u00efd, Super Nintendo.
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Devant une estrade, un lot de chaises individuelles \u00e0 roulettes vous offre l\u2019opportunit\u00e9 d\u2019appr\u00e9cier un court instant les vertus du flex office\u00a0: plus de place attitr\u00e9e pour personne. Du moins, pour les collaborateurs, \u00e0 qui on laisse la libert\u00e9 d\u2019organiser leur espace de travail comme ils le souhaitent, plut\u00f4t que leur imposer le m\u00eame petit coin o\u00f9 ils pourraient d\u00e9primer tous les jours. La mobilit\u00e9 encourage les synergies. Pour \u00eatre libre et r\u00e9actif quand on agit dans l\u2019op\u00e9rationnel, mieux vaut ne pas avoir d\u2019espace \u00e0 soi. Ne pas trop se sentir \u00e0 l\u2019aise dans ses habitudes. C\u2019est bien aussi de changer.

Vendredi apr\u00e8s-midi, le distributeur automatique de pizza est ferm\u00e9. Tout le monde s\u2019est d\u00e9j\u00e0 barr\u00e9 en week-end. Restent tout de m\u00eame les personnes handicap\u00e9es de la caf\u00e9t\u00e9ria qui, sans le soutien et la g\u00e9n\u00e9rosit\u00e9 de l\u2019entreprise pour faire de notre monde un lieu plus inclusif, n\u2019auraient pas eu la chance de travailler comme tout le monde, d\u2019\u00e9gal \u00e0 \u00e9gal.<\/p>\n\n\n\n


Samuel Vandermeer<\/strong>
Apr\u00e8s des \u00e9tudes de Lettres \u00e0 Toulouse puis \u00e0 Paris, Samuel Vandermeer travaille
aujourd\u2019hui pour un organisme de formation d\u00e9di\u00e9 \u00e0 l\u2019apprentissage du fran\u00e7ais langue
\u00e9trang\u00e8re et \u00e0 l\u2019alphab\u00e9tisation. Ses recherches portent sur le monde du travail et de
l\u2019entreprise. Son premier livre publi\u00e9, Cahier d\u2019appels<\/em>, paru aux \u00e9ditions Az\u2019art atelier<\/a>
(2025), propose une travers\u00e9e labyrinthique de discours et de gestes effectu\u00e9s au travail.
Un prochain texte \u00e0 para\u00eetre : Summer Time (\u00e9d. Az\u2019art atelier).<\/p>\n\n\n\n


<\/p>\n\n\n\n

\n
sommaire<\/a><\/div>\n\n\n\n
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Sans pub et en acc\u00e8s libre, TINA online est principalement financ\u00e9 par les dons, \u00e0 vous sur cette page >>>>><\/a> merci<\/p>\n","protected":false},"excerpt":{"rendered":"

Aux salles ont \u00e9t\u00e9 attribu\u00e9s des noms de peintres c\u00e9l\u00e8bres.<\/p>\n","protected":false},"author":2,"featured_media":11483,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4],"tags":[],"class_list":["post-11680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictions","category-revue-tina"],"yoast_head":"\n#297\/ Le peintre de la vie moderne, par Samuel Vandermeer - revue TINA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=11680\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#297\/ Le peintre de la vie moderne, par Samuel Vandermeer - revue TINA\" \/>\n<meta property=\"og:description\" content=\"Aux salles ont \u00e9t\u00e9 attribu\u00e9s des noms de peintres c\u00e9l\u00e8bres.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revuetina.editionsjou.net\/?p=11680\" \/>\n<meta property=\"og:site_name\" content=\"revue TINA\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-20T02:29:10+00:00\" \/>\n<meta name=\"author\" content=\"Eric Arlix\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Arlix\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=11680#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=11680\"},\"author\":{\"name\":\"Eric Arlix\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/#\\\/schema\\\/person\\\/c28daead05fe49e106d2655b42e8f9bd\"},\"headline\":\"#297\\\/ Le peintre de la vie moderne, par Samuel Vandermeer\",\"datePublished\":\"2026-06-20T02:29:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=11680\"},\"wordCount\":802,\"image\":{\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=11680#primaryimage\"},\"thumbnailUrl\":\"\",\"articleSection\":[\"Fictions\",\"revue TINA\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=11680\",\"url\":\"https:\\\/\\\/revuetina.editionsjou.net\\\/?p=11680\",\"name\":\"#297\\\/ Le peintre de la vie moderne, par Samuel Vandermeer - 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