{"id":10159,"date":"2026-04-01T09:12:29","date_gmt":"2026-04-01T07:12:29","guid":{"rendered":"https:\/\/editionsjou.net\/?p=10159"},"modified":"2026-04-01T09:12:29","modified_gmt":"2026-04-01T07:12:29","slug":"255-derniere-foret-perdue-2-3-par-emmanuel-rabu","status":"publish","type":"post","link":"https:\/\/revuetina.editionsjou.net\/?p=10159","title":{"rendered":"#255\/ Derni\u00e8re for\u00eat perdue (2\/3), par Emmanuel Rabu"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color has-link-color wp-elements-f7d0f37d6e4775e090f17611a9c03bb2 wp-block-paragraph\" style=\"font-size:clamp(14.642px, 0.915rem + ((1vw - 3.2px) * 0.836), 22px);\"><br><strong>D\u00e9placer ce qui est noir<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-8b23ff2d7669c7059242b1407738374d wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.455), 18px);\">\u00c0 SantaVeine, il y a un ranch. Chaque ann\u00e9e, on f\u00eate la Saint-Sang \u2014 \u00e0 cause des dragonniers qui y poussent. Mais Ceruz Blanchi en donne une origine diff\u00e9rente :<br>Vers 1870, les r\u00e9coltes furent mauvaises plusieurs ann\u00e9es cons\u00e9cutives. On craignait qu\u2019un fl\u00e9au ne s\u2019abatte \u00e0 nouveau. \u00c0 la fin de l\u2019\u00e9t\u00e9, les familles se r\u00e9unirent. Le pr\u00eatre lut un extrait du livre sacr\u00e9 : \u00ab Il y a une forme noire, ce qui s\u2019en d\u00e9tache ne cherche qu\u2019\u00e0 y revenir, comme vers un aimant. Si tu veux d\u00e9placer le noir, d\u00e9place la matrice. \u00bb<br>On convint qu\u2019une tristesse infinie ailleurs permettait seule d\u2019\u00e9vacuer le mauvais \u0153il. \u00ab Sur qui peut s\u2019abattre la m\u00e9lancolie quand il n\u2019y a pas de coupable ? \u00bb demanda Lourdes Machado. \u00ab S\u2019il n\u2019y a pas de coupable, il n\u2019y a pas d\u2019innocent \u00bb, r\u00e9pondit Manuel Ubivo Sa\u00e1.<br>Bien avant l\u2019entr\u00e9e du village, il y avait un hameau o\u00f9 vivait une famille. On ne l\u2019aimait pas ici. Elle \u00e9tait install\u00e9e depuis une g\u00e9n\u00e9ration seulement. Il y avait six enfants, le plus jeune avait sept ans.<br>On tue un bouc pour une demi-pi\u00e8ce d\u2019or. Un adulte pour dix pi\u00e8ces d\u2019or. Un enfant pour cinq pi\u00e8ces d\u2019or. Il y a dix familles \u00e0 SantaVeine. Chaque famille donne une demi-pi\u00e8ce d\u2019or.<br>\u00c0 l\u2019extr\u00e9mit\u00e9 de la plaine qui montait vers Ecuador se trouvait un village mal fam\u00e9 qui s\u2019appelait Desab\u00e8s. Deux hommes, Marcos et Juan, des fr\u00e8res, furent d\u00e9sign\u00e9s. Ils march\u00e8rent longtemps. Ils \u00e9taient haut dans la montagne quand une voix les arr\u00eata. Un homme surgit d\u2019un sentier.<br>\u00ab N\u2019allez pas plus loin. Au-del\u00e0, c\u2019est dangereux. \u00bb<br>\u00ab Nous cherchons quelqu\u2019un. \u00bb<br>\u00ab Qu\u2019y a-t-il ici que vous ne puissiez pas trouver plus bas ? \u00bb<br>\u00ab Nous proposons du travail. \u00bb<br>\u00ab Qu\u2019est-ce qu\u2019il faut faire ? \u00bb<br>\u00ab Il faut effacer quelqu\u2019un. \u00bb<br>\u00ab C\u2019est pay\u00e9 combien ? \u00bb<br>\u00ab Cinq pi\u00e8ces d\u2019or. \u00bb<br>\u00ab Donne-les-moi, je ferai le travail. \u00bb<br>\u00ab Tu les auras apr\u00e8s. \u00bb<br>\u00ab Donne-moi l\u2019or maintenant et tu ne verras plus jamais son visage. \u00bb<br>Marcos et Juan pay\u00e8rent l\u2019homme puis retourn\u00e8rent \u00e0 SantaVeine.<br>Un mois passa.<br>On rapporta qu\u2019on avait vu l\u2019enfant courir dans un champ. On accusa les fr\u00e8res d\u2019avoir d\u00e9pens\u00e9 l\u2019or en filles et en alcool. Alors ils retourn\u00e8rent \u00e0 l\u2019extr\u00e9mit\u00e9 de la plaine qui montait vers Ecuador. Le soleil couchant les aveuglait.<br>\u00ab Est-ce que cette ombre, c\u2019est Desab\u00e8s ? \u00bb<br>C\u2019\u00e9tait comme un mirage qui tremblait devant eux.<br>Ils entendirent la m\u00eame voix : \u00ab N\u2019allez pas plus loin. Au-del\u00e0, c\u2019est dangereux. \u00bb<br>\u00ab Nous sommes venus chercher ce que tu nous dois. \u00bb<br>\u00ab De quoi parles-tu ? \u00bb<br>\u00ab Tu t\u2019\u00e9tais engag\u00e9. \u00bb<br>\u00ab Je ne te reconnais pas. Approche. \u00bb<br>Marcos et Juan avanc\u00e8rent. Le soleil les aveuglait. Ils marchaient droit vers la voix qui les guidait : \u00ab Plus pr\u00e8s. Encore. Avance. \u00bb<br>Soudain, le sol c\u00e9da sous leurs pieds. Ils s\u2019enfonc\u00e8rent jusqu\u2019\u00e0 la taille, puis jusqu\u2019au cou. La lise. Une boue \u00e9paisse les aspirait lentement.<br>\u00ab Aide-nous ! \u00bb hurlaient les deux fr\u00e8res.<br>L\u2019ombre de l\u2019homme se d\u00e9tacha du soleil. Il disparut un instant, puis revint. Il portait un tronc qu\u2019il lan\u00e7a comme un ponton au-dessus de la lise. Il avan\u00e7a lentement dessus.<br>Il s\u2019accroupit devant Marcos. \u00ab Que fais-tu ? Tire-moi de l\u00e0 ! \u00bb criait Marcos.<br>L\u2019homme l\u2019examina. \u00ab Oui, je te reconnais maintenant. C\u2019est bien moi que tu as pay\u00e9. Tu as raison, je te suis redevable. \u00bb<br>Il sortit de sa ceinture un couteau.<br>Il enserra la t\u00eate de Marcos entre ses genoux, comme dans un \u00e9tau. Saisit la paupi\u00e8re gauche. La trancha d\u2019un geste net. Marcos hurla. L\u2019homme r\u00e9p\u00e9ta le geste pour le deuxi\u00e8me \u0153il. Puis il se d\u00e9pla\u00e7a sur le tronc et fit de m\u00eame avec Juan.<br>Le soleil \u00e9tait rouge.<br>On dit que l\u2019ann\u00e9e suivante, \u00e0 SantaVeine, les feux bact\u00e9riens \u00e9pargn\u00e8rent les arbres et les brebis n\u2019agnel\u00e8rent aucun mort-n\u00e9.<\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-79c04931263ad614ac2f52187ed39553 wp-block-paragraph\" style=\"font-size:clamp(14px, 0.875rem + ((1vw - 3.2px) * 0.227), 16px);\"><br><br><strong>Emmanuel Rabu<\/strong><br>\u00c9crivain et artiste fran\u00e7ais<br><a href=\"https:\/\/emmanuelrabu.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/emmanuelrabu.com\/<\/a><br><br><a href=\"https:\/\/revuetina.editionsjou.net\/wp\/2026\/03\/12\/241-derniere-foret-perdue-1-3-par-emmanuel-rabu\/\">Derni\u00e8re for\u00eat perdue (1) &gt;&gt;&gt;<\/a><\/p>\n\n\n\n<p class=\"has-white-color has-text-color has-background has-link-color wp-elements-4838f691414d099d8e1b4fe165e9fb89 wp-block-paragraph\" style=\"border-radius:13px;background-color:#517ba4\"><br><\/p>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-20959078 wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/revuetina.editionsjou.net\/wp\/revue_tina_online\/\" style=\"border-radius:13px;background-color:#517ba4\">sommaire<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/revuetina.editionsjou.net\/wp\/tina-online-sommaire-par-categories\/\" style=\"border-radius:13px;background-color:#517ba4\">par cat\u00e9gories<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/revuetina.editionsjou.net\/wp\/tina-online-sommaire-par-nom\/\" style=\"border-radius:13px;background-color:#517ba4\">par noms<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/revuetina.editionsjou.net\/wp\/newsletter_tina\/\" style=\"border-radius:13px;background-color:#517ba4\">newsletter<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color has-text-align-right wp-element-button\" href=\"https:\/\/www.helloasso.com\/associations\/association-jou\/formulaires\/2\" style=\"border-radius:13px;background-color:#517ba4\" target=\"_blank\" rel=\"noreferrer noopener\">dons<\/a><\/div>\n\n\n\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/revuetina.editionsjou.net\/wp\/tina\/\" style=\"border-radius:13px;background-color:#517ba4\">infos<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center has-white-color has-vivid-green-cyan-background-color has-text-color has-background has-link-color wp-elements-1b0c2c173fa59d7107d6c3d72232f168 wp-block-paragraph\" style=\"border-radius:22px\">Sans pub et en acc\u00e8s libre, TINA online est principalement financ\u00e9 par les dons, \u00e0 vous sur cette page <a href=\"https:\/\/www.helloasso.com\/associations\/association-jou\/formulaires\/2\">&gt;&gt;&gt;&gt;&gt;<\/a> merci<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nouvelles in\u00e9dites d&rsquo;Emmanuel Rabu<br \/>\n2. D\u00e9placer ce qui est noir<\/p>\n","protected":false},"author":2,"featured_media":9748,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7,4],"tags":[],"class_list":["post-10159","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fictions","category-revue-tina"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>#255\/ Derni\u00e8re for\u00eat perdue (2\/3), par Emmanuel Rabu - revue TINA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revuetina.editionsjou.net\/?p=10159\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"#255\/ Derni\u00e8re for\u00eat perdue (2\/3), par Emmanuel Rabu - revue TINA\" \/>\n<meta property=\"og:description\" content=\"Nouvelles in\u00e9dites d&#039;Emmanuel Rabu 2. 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